Ted Kooser. Photo credit: UNL Publications and Photography.
Last week I said that I planned to publish two beautiful poems of grief and loss by David Baker, from his new and selected poems, “Swift,” published last year by W. W. Norton.
This is the second of those poems.
Baker teaches at Denison University in Ohio and is the poetry editor of Kenyon Review, one of our most distinguished literary journals.
Mercy
Small flames afloat in blue duskfall, beneath trees anonymous and hooded, the solemn trees--by ones and twos and threes we go down to the water's level edge with our candles cupped and melted into little pie-tins to set our newest loss free. Everyone is here.
Everyone is wholly quiet in the river's hush and appropriate dark. The tenuous fires slip from our palms and seem to settle in the stilling water, but then float, ever so slowly, in a loose string like a necklace's pearls spilled, down the river barely as wide as a dusty road.
No one is singing, and no one leaves--we stand back beneath the grieving trees on both banks, bowed but watching, as our tiny boats pass like a long history of moons reflected, or like notes in an elder's hymn, or like us, death after death, around the far, awakening bend.
Ted Kooser. Photo credit: UNL Publications and Photography.
Last week I said that I planned to publish two beautiful poems of grief and loss by David Baker, from his new and selected poems, “Swift,” published last year by W. W. Norton.
This is the second of those poems.
Baker teaches at Denison University in Ohio and is the poetry editor of Kenyon Review, one of our most distinguished literary journals.
Mercy
Small flames afloat in blue duskfall, beneath trees anonymous and hooded, the solemn trees--by ones and twos and threes we go down to the water's level edge with our candles cupped and melted into little pie-tins to set our newest loss free. Everyone is here.
Everyone is wholly quiet in the river's hush and appropriate dark. The tenuous fires slip from our palms and seem to settle in the stilling water, but then float, ever so slowly, in a loose string like a necklace's pearls spilled, down the river barely as wide as a dusty road.
No one is singing, and no one leaves--we stand back beneath the grieving trees on both banks, bowed but watching, as our tiny boats pass like a long history of moons reflected, or like notes in an elder's hymn, or like us, death after death, around the far, awakening bend.