Ted Kooser. Photo credit: UNL Publications and Photography. Now and then, I get a complaint from one of our readers saying that what we publish isn’t poetry because it doesn’t rhyme.
Actually, we’ve published quite a lot of poetry with rhymes—end-rhymes, half-rhymes, internal rhymes, and now and then a sonnet, if that sonnet is a fine poem, too.
And here’s one of those by Rhina P. Espaillat, a New Englander, from her book “And After All,” published by Able Muse Press.
Butchering
My mother’s mother, toughened by the farm, hardened by infants’ burials, used a knife and swung an axe as if her woman’s arm wielded a man’s hard will. Inured to life and death alike, “What ails you now?” she’d say ungently to the sick. She fed them, too, roughly but well, and took the blood away— and washed the dead, if there was that to do. She told us children how the cows could sense when their own calves were marked for butchering, and how they lowed, their wordless eloquence impossible to still with anything— sweet clover, or her unremitting care. She told it simply, but she faltered there.
Ted Kooser. Photo credit: UNL Publications and Photography. Now and then, I get a complaint from one of our readers saying that what we publish isn’t poetry because it doesn’t rhyme.
Actually, we’ve published quite a lot of poetry with rhymes—end-rhymes, half-rhymes, internal rhymes, and now and then a sonnet, if that sonnet is a fine poem, too.
And here’s one of those by Rhina P. Espaillat, a New Englander, from her book “And After All,” published by Able Muse Press.
Butchering
My mother’s mother, toughened by the farm, hardened by infants’ burials, used a knife and swung an axe as if her woman’s arm wielded a man’s hard will. Inured to life and death alike, “What ails you now?” she’d say ungently to the sick. She fed them, too, roughly but well, and took the blood away— and washed the dead, if there was that to do. She told us children how the cows could sense when their own calves were marked for butchering, and how they lowed, their wordless eloquence impossible to still with anything— sweet clover, or her unremitting care. She told it simply, but she faltered there.