Ted Kooser. Photo credit: UNL Publications and Photography. Li-Young Lee is an important American poet of Chinese parentage who lives in Chicago.
Much of his poetry is marked by unabashed tenderness, and this poem is a good example of that.
Editor’s Note: This column is a reprint from the American Life in Poetry archive as we bid farewell to Ted Kooser, and work to finalize the new website and forthcoming columns curated by Kwame Dawes.
I Ask My Mother to Sing
She begins, and my grandmother joins her. Mother and daughter sing like young girls. If my father were alive, he would play his accordion and sway like a boat.
I’ve never been in Peking, or the Summer Palace, nor stood on the great Stone Boat to watch the rain begin on Kuen Ming Lake, the picnickers running away in the grass.
But I love to hear it sung; how the waterlilies fill with rain until they overturn, spilling water into water, then rock back, and fill with more.
Both women have begun to cry. But neither stops her song.
Ted Kooser. Photo credit: UNL Publications and Photography. Li-Young Lee is an important American poet of Chinese parentage who lives in Chicago.
Much of his poetry is marked by unabashed tenderness, and this poem is a good example of that.
Editor’s Note: This column is a reprint from the American Life in Poetry archive as we bid farewell to Ted Kooser, and work to finalize the new website and forthcoming columns curated by Kwame Dawes.
I Ask My Mother to Sing
She begins, and my grandmother joins her. Mother and daughter sing like young girls. If my father were alive, he would play his accordion and sway like a boat.
I’ve never been in Peking, or the Summer Palace, nor stood on the great Stone Boat to watch the rain begin on Kuen Ming Lake, the picnickers running away in the grass.
But I love to hear it sung; how the waterlilies fill with rain until they overturn, spilling water into water, then rock back, and fill with more.
Both women have begun to cry. But neither stops her song.