Kwame Dawes. Courtesy photo. What haunts this loose sonnet by Carrie Green is loss, anticipated loss, but loss, nonetheless. Yet, what emerges is an elegant “pre-elegy.”
A tender anthem to a father and to the sweetness he represents, an anthem made more intimate by the choice of addressee: “Brother.”
ROBBING THE BEES By Carrie Green after John Wood
Brother, one day the grove and hives will empty: the neighbor’s trees frozen back to stumps, our father’s bees scattered across the scrub. But today the scent of orange blossom reaches our patch of sand, and the beeyard teems with thieving wings. Our father works the hives, white shirt buttoned to the neck, hands glove-clumsy. Veiled, he’s mysterious
as a bride. Brother, we’ll want to recall the pollen-dusted light kissing scrub oak and sand pine, the needles smoking in tin, the bees’ stunned flight as our father offers a taste of honey on his pocketknife. Our tongues steal sweetness from the rusted blade.
Kwame Dawes. Courtesy photo. What haunts this loose sonnet by Carrie Green is loss, anticipated loss, but loss, nonetheless. Yet, what emerges is an elegant “pre-elegy.”
A tender anthem to a father and to the sweetness he represents, an anthem made more intimate by the choice of addressee: “Brother.”
ROBBING THE BEES By Carrie Green after John Wood
Brother, one day the grove and hives will empty: the neighbor’s trees frozen back to stumps, our father’s bees scattered across the scrub. But today the scent of orange blossom reaches our patch of sand, and the beeyard teems with thieving wings. Our father works the hives, white shirt buttoned to the neck, hands glove-clumsy. Veiled, he’s mysterious
as a bride. Brother, we’ll want to recall the pollen-dusted light kissing scrub oak and sand pine, the needles smoking in tin, the bees’ stunned flight as our father offers a taste of honey on his pocketknife. Our tongues steal sweetness from the rusted blade.