Kwame Dawes. Courtesy photo. There is a certain delightfulness in the rhythm and play of “Moving to Santa Fe” by Mary Morris, in which she enacts the farewell song of someone moving from an old home to a new one.
In Morris’ case, she is leaving a childhood home in one part of the country to a new adventure in another part of the country, exchanging red dirt, peaches and armadillos for mud houses and the mesa.
If we are haunted by this jaunty poem, it is because the images she invokes sharpen adventure with a tinge of danger.
Moving to Santa Fe By Mary Morris
I packed my boxes, beat the tornado. My brother followed in his truck with my bed and books of photos.
Good-bye father and mother, seven brothers who fed us wild animals. Farewell to the stone house strangled
with red dirt, rose rocks, green hills, and burnt grass. I will miss you, armadillos
and hairy hands of tarantulas crossing the road in the dark. Farewell friends. I’m not far.
Visit me in my mud house under the shadow of the mesa. Bring me peaches.
Kwame Dawes. Courtesy photo. There is a certain delightfulness in the rhythm and play of “Moving to Santa Fe” by Mary Morris, in which she enacts the farewell song of someone moving from an old home to a new one.
In Morris’ case, she is leaving a childhood home in one part of the country to a new adventure in another part of the country, exchanging red dirt, peaches and armadillos for mud houses and the mesa.
If we are haunted by this jaunty poem, it is because the images she invokes sharpen adventure with a tinge of danger.
Moving to Santa Fe By Mary Morris
I packed my boxes, beat the tornado. My brother followed in his truck with my bed and books of photos.
Good-bye father and mother, seven brothers who fed us wild animals. Farewell to the stone house strangled
with red dirt, rose rocks, green hills, and burnt grass. I will miss you, armadillos
and hairy hands of tarantulas crossing the road in the dark. Farewell friends. I’m not far.
Visit me in my mud house under the shadow of the mesa. Bring me peaches.