Kwame Dawes. Courtesy photo. There is a stretch of childhood that can be filled with such vivid images, yet it is often hard to determine whether what is being recalled is memory of our experience, or a memory of what we have been told.
Jessica Abughattas’ poem, “Watching My Mother,” ends with such optimism and confidence, even though the details of what she remembers are a stylized and beautiful version of disquiet.
In this elegant poem, she enacts the strange magic of how we often organize memory in a manner that allows us to survive.
Watching My Mother By Jessica Abughattas
Beside the Ford Thunderbird, a suitcase splayed open. She collects her clothes from the driveway. The yellow jumper collapses into a million threads of saffron. She keeps dropping them. They wither and dissolve, petal by petal into pavement. Her hands are rivers. Her eyes, mascara bats. Her hair is crying. I am five and perfect.
Kwame Dawes. Courtesy photo. There is a stretch of childhood that can be filled with such vivid images, yet it is often hard to determine whether what is being recalled is memory of our experience, or a memory of what we have been told.
Jessica Abughattas’ poem, “Watching My Mother,” ends with such optimism and confidence, even though the details of what she remembers are a stylized and beautiful version of disquiet.
In this elegant poem, she enacts the strange magic of how we often organize memory in a manner that allows us to survive.
Watching My Mother By Jessica Abughattas
Beside the Ford Thunderbird, a suitcase splayed open. She collects her clothes from the driveway. The yellow jumper collapses into a million threads of saffron. She keeps dropping them. They wither and dissolve, petal by petal into pavement. Her hands are rivers. Her eyes, mascara bats. Her hair is crying. I am five and perfect.