Kwame Dawes. Courtesy photo. There is a clever implication to the title of Lauren Winchester’s poem “Eating the Glacier.”
The poet is seduced by the thought of eating something as ancient as glacier ice which can be, I am told, thousands of years old.
This is a work of humbling environmentalism, the desire to achieve a certain immortality by connecting to the elements: “I gaze at the ice, thirsty for its light,” she says.
But the most human, tragic-comic, moment follows, when “the ice turns its back” or her hubris.
Eating the Glacier By Lauren Winchester
The guide chips off a piece to taste. The water in me is the body of the glacier. When I breathe with my lungs, I breathe with the glacier's lungs. Breathing—though made from all our kind's rough materials (marrow and membrane, fluid and flesh)—I am fathomless. I gaze at the ice, thirsty for its light, and the ice turns its back on my looking.
Kwame Dawes. Courtesy photo. There is a clever implication to the title of Lauren Winchester’s poem “Eating the Glacier.”
The poet is seduced by the thought of eating something as ancient as glacier ice which can be, I am told, thousands of years old.
This is a work of humbling environmentalism, the desire to achieve a certain immortality by connecting to the elements: “I gaze at the ice, thirsty for its light,” she says.
But the most human, tragic-comic, moment follows, when “the ice turns its back” or her hubris.
Eating the Glacier By Lauren Winchester
The guide chips off a piece to taste. The water in me is the body of the glacier. When I breathe with my lungs, I breathe with the glacier's lungs. Breathing—though made from all our kind's rough materials (marrow and membrane, fluid and flesh)—I am fathomless. I gaze at the ice, thirsty for its light, and the ice turns its back on my looking.