UKIAH, Calif. – The Friends of the Mendocino College Library and the Friends of the Mendocino College Theatre announced that theater director and playwright Carey Perloff will be visiting Mendocino College on Sunday, Feb. 21.

Perloff will speak at 3 p.m. in the Mendocino College Library, room 4210, at the Ukiah main campus, 1000 Hensley Creek Road in Ukiah.

Her book, “Beautiful Chaos,” will be on sale starting at 2:30 p.m. and also following her lecture at 4 p.m.

The event will be followed by a reception with food and beverages provided by the Mendocino College Foundation. Perloff will be available to autograph copies of “Beautiful Chaos.”

Earlier in the day, Perloff will offer a master class specifically for college theater conservatory students, but the book talk at 3 p.m. is free and open to the public.

The event is part of the college library reading series which brings notable writers to the campus each semester.

Perloff, who helms San Francisco’s flagship theater company, The American Conservatory Theatre (A.C.T.), will speak about her new book “Beautiful Chaos,” which chronicles her past 20 years as A.C.T.’s artistic director.

Perloff arrived at A.C.T. in 1992, just following the 1989 Loma Prieta earthquake which left the company literally in ruins.

The company’s home, the historic Geary Theatre, was in rubble and the ensemble’s finances and morale were equally crushed.

Perloff set about rebuilding the building and the company which now continues to flourish more than 20 years later.

Perloff has worked extensively with playwright Tom Stoppard, having directed his plays numerous times at A.C.T.

This semester the Mendocino College Theatre Arts Department will present Stoppard’s gorgeous play “Arcadia” (running March 11-20) under the direction of adjunct faculty member Jason Davis.

“Arcadia” figures prominently in Perloff’s book and will surely be a topic addressed in her college talk.

According to college theater director Reid Edelman, “Attending the Perloff event will be a great way to whet your appetite for 'Arcadia' and to enhance your appreciation of the play.”

Perloff’s dream from a young age was to become an archaeologist and discover the next Troy; this led her to study ancient Greek at Stanford and then to migrate to theater, where she learned to direct by staging Greek tragedies outdoors.

At age 27, she was hired to run New York’s Classic Stage Co. In 1992, A.C.T. hired her to become the company’s third artistic director, following founder Bill Ball and Ed Hastings.

She has made the company a true destination for passionate, literate and diverse theater.

Perloff is a recipient of innumerable awards and honors, including two Drama-Logue Awards, an OBIE Award for Artistic Excellence, a Lucille Lortel Award, and the Chevalier des Arts et des Lettres from the government of France. She is truly n major figure in American theater.

According to Edelman, “Perloff’s visit is a major event for our town, our college and our theater community. Please come join us for this very special presentation.”

For more information, please contact Reid Edelman, theater director, at 707-468-3172 or This email address is being protected from spambots. You need JavaScript enabled to view it. .

Jessica Silva is director of community relations and communication at Mendocino College.

UPPER LAKE, Calif. – Lake County Wine Studio (LCWS) and artist Diana Liebe are presenting monthly sip and paint parties.

The February wine and watercolor session will be held on Saturday, Feb. 13, from 1:30 to 4 p.m.

Liebe is a former art teacher at both the high school and college levels. She has been very involved in the Lake County Arts Community since moving here from Mendocino County 11 years ago, and actively teaches art workshops around the county.
 
The class fee of $40 covers all of the painting supplies needed along with Leibe’s step-by-step guidance and a glass of fine Lake County wine. 

Reservations are required for each month’s class as participation is limited to 12 people.

A schedule of class dates and time is available at LCWS, www.lakecountywinestudio.com/events.html or by contacting Susan Feiler at 707-293-8752.
 
The Lake County Wine Studio is located at 9505 Main St. in Upper Lake and is open Monday, 1 to 6:30 p.m.; Tuesday to Thursday, Saturday and Sunday from 1 to 7 p.m.; and Friday from 1 to 8 p.m.

UPPER LAKE, Calif. – The Tallman Hotel continues its 2016 series of “Concerts with Conversation” series on Saturday, Feb. 13, with an informal concert by the renowned folk duo of Alisa Fineman and Kimball Hurd.

This Valentine’s weekend tradition at the Tallman starts at 7:30 p.m. in the intimate Meeting House next to the hotel.

“Alisa and Kimball have performed for us in February the past two years,” commented Tallman owner Bernie Butcher. “The audience loved them both times so I jumped at the chance to have them back this year on the eve of Valentine’s Day.”

Based in Santa Cruz, Fineman and Hurd travel extensively and are favorites in the San Francisco and Monterey Bay areas.

They’ve earned national acclaim for their world music repertoire and songwriting abilities as well as their engaging personalities. Vocal harmonies are nicely blended with instrumental prowess on guitar, mandolin, dobro and banjo.

As a musician and songwriter, Fineman’s inspirations have included Joni Mitchell, Odetta, Willa Cather, Kate Wolf and Mary McCaslin. As with these artists, her repertoire of songs speak of love, of a sense of place, and an appreciation for the earth's beauty and fragility, as well as life's sometimes difficult choices.

Following a recent performance, the Monterey Bay Weekly commented that “Alisa and Kimball are a fresh duo with gorgeous harmonies, an exquisite blend of acoustic instruments and insightful lyrics that speak directly to the heart ... They replenish the world with beauty on every level and are good medicine for the soul.”

This will be the third in the Tallman’s 2015-16 series of Concerts with Conversation.

Coming up on March 5 is a chamber concert headed by oboe virtuoso Laura Reynolds and featuring local artists Beth and Tom Aiken. The series concludes on April 16 with the Macy Blackman Trio featuring Nancy Wright on sax.

Tickets for the Feb. 13 show are priced at $25 plus tax per person and may be purchased by calling the Tallman Hotel at 707-275-2244, Extension 0.

More background information on Fineman and Hurd can be found at www.alisafineman.com/ .

LAKEPORT, Calif. – Bring all your favorite sweethearts, young and old, to the Valentine’s Day Contemporary Chamber Music concert at the Soper Reese on Sunday, Feb. 14, at 3 p.m.

The second in a four-part series produced by Beth Aiken and Jeff Ives, this concert features the haunting harp sounds of San Francisco-based Triskela as well as the saucy Classical Latin beats of Panamericana from the Ukiah area.

All seats are reserved. Tickets are $20 and $15. Children 18 and under are free.

Triskela Harp Trio's sound can be described as “California Celtic,” weaving world folk traditions, early music and original works into a soundscape that transports listeners to an other-worldly place.

Triskela's arrangements for lever harp, voice, Irish whistle, flute and percussion are intricate and refined, yet accessible and always from the heart.

Panamericana is composed of musicians from Lake and Mendocino counties, with Steve Baird , string bass and vocals; Ellie Siegel , mandolin and percussion; Tom Aiken, piano and keyboards; Will Siegel, guitar; and Beth Aiken, oboe and English horn.

Tickets online at www.SoperReeseTheatre.com ; at the theater box office, 275 S. Main St., Lakeport on Fridays, 10:30 a.m. to 5:30 p.m.; or by phone at 707-263-0577.

Tickets also available at The Travel Center, 1265 S. Main, Lakeport, Monday through Friday, 9 a.m. to 5 p.m.

A friend told me recently that he tries to keep in touch with people he's known even though they don't put any effort into doing that themselves.

Here's William Trowbridge, who lives in Missouri, making an effort. His most recent book is “Put This On, Please” (Red Hen Press, 2014).

Long Distance to My Old Coach

The reception's not bad, across 50 years,
though his voice has lost its boot-camp timbre.
He's in his 80's now and, in a recent photo,

looks it, so bald and pale and hard to see behind
the tallowing of flesh. Posing with friends,
he's the only one who has to sit—the man

three of us couldn't pin. "The Hugger,"
they christened him before my class arrived—
for his bearlike shape and his first name, Hugh.

He fostered even us, the lowly track squad.
"Mr. Morrison," I still call him. "You were
the speedster on the team, a flash," he recalls

with a chuckle. That's where his memory of me
fades. And what have I retained of him beyond
the nickname, voice, and burly shape? The rest

could be invention: memory and desire's
sleight-of-hand as we call up those we think
we've known, to chat about the old days

and the weather, bum hips and cholesterol,
our small talk numbing as a dial tone,
serious as prayer.

American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. We do not accept unsolicited submissions. Introduction copyright © 2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

THE FINEST HOURS (Rated PG-13)

Out of curiosity, I entered the phrase “most daring rescue mission in the history of the Coast Guard” into the Firefox browser, resulting in at least one entry for the “most extreme rescue” in 2008 of survivors on the sinking Alaska Ranger ship in Alaska’s frigid Bering Sea.

And yet, there were multiple entries for the much older and impressive story of Coast Guard heroism that took place during a nor’easter off the coast of Massachusetts in the bitter cold of February 1952 when the oil tanker SS Pendleton was split in half by a treacherous storm.

Directed by Craig Gillespie (“Million Dollar Arm”), the extraordinary true story of the greatest small boat rescue in Coast Guard history is brought vividly to life in full-blown thrilling fashion in “The Finest Hours.”

The key to understanding how insanely impossible the rescue mission appeared to be is to know that four brave souls set forth in extremely choppy waters in a 36-foot motorized, wooden lifeboat that had a maximum capacity load of twelve people.

Before setting off on what objectively looked like nothing less than a suicide mission, the film takes time to introduce the pivotal character of youthful Coast Guard Captain Bernie Webber (Chris Pine) as he nervously awaits a blind date with Miriam (Holliday Grainger).

In the setting of seaside Chatham, Massachusetts, where the Coast Guard station is located, Miriam is a local telephone operator who has become acquainted with Bernie only through conversations over the phone line.

Meeting only months before the disaster that comes in the winter of 1952, Miriam and Bernie undertake a whirlwind romance, ending with Miriam actually being the one to propose marriage to the somewhat startled seafarer.

On the day of the storm, the shy, cautious Bernie is seen trying to work up the courage to inform his superior, Warrant Officer Daniel Cluff (Eric Bana), a recent transplant unfamiliar with the New England seas, of his upcoming wedding plans.

Meanwhile, as the storm rages unabated, out in the Atlantic somewhere off the coast of Cape Cod, all that remains of the broken SS Pendleton is the stern still staying afloat by the poise of first assistant engineer Ray Sybert (Casey Affleck) thinking outside-the-box.

The tanker’s captain was lost at sea, leaving the crew members on the verge of mutiny, with most of them having no fondness for the aloof, unpopular engineer, though they come to realize he may be their only hope of salvation.   

It was not an easy task for Sybert to convince the motley crew of salty characters to trust his instincts so that they would pull together, albeit reluctantly, under very trying and challenging circumstances.

Standing out among the diverse group of the tanker crew, from novices to old hands, are the sensible lieutenant (John Ortiz), the jovial ship’s cook (Abraham Benrubi), and the craven blowhard (Michael Raymond-James).

Setting off on the rescue mission, Bernie gets help from veteran Coast Guard seaman Richard Livesey (Ben Foster), who harbors doubts from the get-go, and two other volunteers (Kyle Gallner and John Magaro).

Perhaps the most quotable lines of “The Finest Hours” is when Bernie accepts the dangerous assignment by observing that in the Coast Guard, “they say you have to go out. They don’t say you have to come back in.”

The first challenge, powerfully captured by the 3-D technology that is sufficiently used here, is for the small boat to clear the hazardous sandbar known as the Chatham Bar, only to make it out to sea where 60-foot waves require incredible navigation skills to surmount.

The early goings at sea with the small boat dealing with the harsh waves and howling weather are spectacular, and things get only more dicey when the Coast Guard boat loses its compass when knocked around by huge waves.

As the crew of the Pendleton can only wonder if any rescue is on its way, Sybert has managed to buy some precious time by steering the tanker onto a sandbar where it sits precariously while seawater continues to rush into the engine room.

Eventually, the Coast Guard boat makes its way to its destination, and here the rescue drama becomes extremely effective for the tension created when 32 men brave the hurricane-force winds and turbulent waters to reach the safety of a small boat not designed to hold so many.

“The Finest Hours” turns into a great story of courage, honor, duty and determination. Though Chris Pine’s Bernie Webber comes off wooden and reserved, the heroic nature of the rescue is something to behold.

The end credits of “The Finest Hours” nicely play homage to the true story through a montage of newspaper headlines and photos of the real heroes. It’s worth the wait to recapture this stirring moment in history that is largely unknown.

Tim Riley writes film and television reviews for Lake County News.