COBB, Calif. – Cobb Mountain Artists presents featured artist Glenneth Lambert, who will talk about his ceramics and more recent digital photography, and have work to show, as well as some slides of his pieces.

The event will take place beginning at 7 p.m. Wednesday, Feb. 6, at The Artisans Realm, 16365 Highway 175, Cobb.

In 1977 Lambert began the study of ceramics, art and science at Cypress College in Southern California.

Initially a science major, he was quickly lured to change his major to art by a dynamic ceramics teacher, who arranged for Lambert to attend a two-week workshop in Aspen, Colo., with internationally known ceramic artist Paul Soldner. This influence and continued art courses addicted him to art for life.  

He then transferred to San Francisco State, earning a bachelor’s degree and art teaching credential.

Lambert has shown his work in San Francisco and the North Bay region. He has bounced around the North Bay ever since, working in schools and programs, and has remained involved with community art efforts.  

He settled down in Cobb approximately eight years ago and is currently building a clay studio in his home.  

He will be be sharing both his ceramic work and recent digital photography.

CLEARLAKE, Calif. – Second Sunday Cinema will show “Zeitgeist: Moving Forward” on Feb. 10.

The movie will be shown at Clearlake United Methodist Church, 14521 Pearl Ave. Clearlake, near Mullen.

Doors open at 5:30 p.m., with the film beginning at 6 p.m.

The film showing is free.

“Zeitgeist: Moving Forward” by director Peter Joseph is a two-hour, 42 minute film which continues what the prior two films of the Zeitgeist Film Series started: a critical look at the “Zeitgeist” or “spirit /awareness of the time.”

Zeitgeist is pronounced “zitegiste,” with two long i’s, as in “bite.”

Unlike the first film, “Zeitgeist: Moving Forward” does not attack Christianity, which alienated many viewers. Further, this third film delves far more more broadly into the causes of the major problems of our time.

“Zeitgeist: Moving Forward” focuses on the very fabric of the social order: monetary-market economics, and explains it with great clarity.

Many in the world today have come to see some very basic flaws in the economic system we share. Large scale debt defaults, inflation, industrial pollution, resource depletion, rising cancer rates and other signposts have emerged to bring the concern into the realm of “public health” overall. But very few consider the economic paradigm as a whole as the source.

After a review of (a lot) of info, “Zeitgeist: Moving Forward” concludes with suggestions for changing the System that is attacking our lives.

This is a long film, so SSC suggests you bring a small flat pillow. If the majority prefers, they will take a 10 minute intermission mid-film.

LAKEPORT, Calif. – The Soper-Reese Community Theatre's Third Friday Live event on Feb. 15 will feature the local band Blue Collar.

Doors open at 6:30 p.m., with the show taking place from 7 p.m. to 10 p.m. at the theater, located at 275 S. Main St., Lakeport.

Blue Collar plays a variety of music, from rock to folk, R&B, south, rock-a-billy and country.

There will be a bistro-style setting with tables and an open dance floor. Snacks and beverages will be available for purchase.

The cost for tickets is $10 per person.

Tickets can be purchased from 9 a.m. to 5 p.m., Mondays through Fridays, at the Travel Center, 1265 S. Main St. in Lakeport; tickets also are available at the Soper-Reese box office on Fridays from 10:30 a.m. to 5:30 p.m., telephone 707-263-0577.

Online ticket purchases also can be made at www.soperreesetheatre.com .

If you’ve followed this column through a good part of the seven years we’ve been publishing it, you know how hooked I am on poems that take a close look at the ordinary world. Here’s a fine poem by Eamon Grennan, who lives in New York state, about bees caught up against a closed window.

Up Against It

It’s the way they cannot understand the window
they buzz and buzz against, the bees that take
a wrong turn at my door and end up thus
in a drift at first of almost idle curiosity,
cruising the room until they find themselves
smack up against it and they cannot fathom how
the air has hardened and the world they know
with their eyes keeps out of reach as, stuck there
with all they want just in front of them, they must
fling their bodies against the one unalterable law
of things—this fact of glass—and can only go on
making the sound that tethers their electric
fury to what’s impossible, feeling the sting in it.

American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright 2010 by Eamon Grennan from his most recent book of poems, Out of Sight: New & Selected Poems, Graywolf Press, 2010. Poem reprinted by permission of Eamon Grennan and the publisher. Introduction copyright 2013 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. They do not accept unsolicited manuscripts.

BULLET TO THE HEAD (Rated R)

It’s a good thing that Sylvester Stallone is old enough to carry the Medicare Part A card, considering that he’s involved in enough bloody fights that he should end up in a hospital.

Violent in the extreme, “Bullet to the Head” is a title so lacking in subtlety that one would have to have the IQ of an eggplant not to realize what exactly is in store when the anti-hero goes looking for revenge.

Stallone’s James Bonomo, affectionately called Jimmy Bobo on the mean streets of New Orleans, is a gun-for-hire who plays by his own set of rules, which apparently means killing people even more criminal than he is.

The story opens as Jimmy and his partner Louis (Jon Seda) are on what appears to be a routine hit. Their target is an ex-cop kicked off the force in Washington, D.C. in disgrace.

This dirty cop would seem the perfect fit for the nation’s capitol. After all, he’s holed up in a swank hotel room with a Russian hooker and loads of illicit substances.

It’s just another case of art imitating life, given the recent news that a sleazy New Jersey senator favors underage prostitutes from the Dominican Republic.

Once the job is done, Jimmy and Louis head to a seedy local bar to get paid, but instead of cash they are met with a double-cross that leaves Louis lying in a pool of blood, the vicious handiwork of a hit man named Keegan (Jason Momoa).

Arriving in New Orleans to investigate a mob hit, Washington, D.C. detective Taylor Kwon (Sung Kang) figures there’s some sort of connection with Jimmy Bobo.

However, Kwon has no jurisdiction in the Big Easy and can’t go through the usual channels. It’s just as well, considering that New Orleans is swimming in corruption, including crooked cops and politicians.

Reluctantly, Kwon teams up with Jimmy because he shares an equal grudge about the murderous thug who also killed his former police partner.

At this point, “Bullet to the Head” turns into the oddest couple of a buddy movie, where two opposite sides of the law forge a wobbly truce to go after some really bad guys.

Going by the book, Kwon lives by a real rigid code of honor and moral integrity, whereas the bombastic Jimmy is like a bull in a china shop, ready to break heads and limbs with no regrets.

Needless to say, Jimmy’s strong-arm methods are more efficient and effective, leaving no time for the reserved Kwon to read Miranda rights to a suspect.

Making enemies for sniffing around where he doesn’t belong, Kwon becomes slightly more grateful for Jimmy’s tactics when his criminal partner saves his life in an ambush.

When Kwon is wounded, Jimmy can’t take him to a hospital, so instead he gets his estranged daughter Lisa (Sarah Shahi), a tattoo artist, to remove the bullet and patch him up.

The plot tends to wander, but we can count on a host of colorful characters. One of them is a shady lawyer named Marcus Baptiste (Christian Slater) who knows how to throw a grand party at his Garden District mansion.

The hit man Keegan is a fascinating adversary, unmatched for being the ruthless and relentless muscle with way too much sadistic pleasure in doing his dirty work.

At the top of the criminal ladder is Robert Nkomo Morel (Adewale Akinnuoye-Agbaje), a wealthy immigrant real estate mogul who secured his fortunes from notoriously corrupt deals in Africa.

Intelligent, sophisticated and yet manipulative and dark, Morel is a formidable figure, with both government and police officials in his wallet. He will stop at nothing to secure his ends.

With double-crosses and greed pushing everyone’s buttons, “Bullet to the Head” is practically a non-stop parade of bloody brawls and deadly shootouts.

Veteran director Walter Hill also knows how to push buttons, neatly setting up the flavor of an old school action picture straight out of the 1980s.

This past month has been a virtual feast for fans of violent, brutal action. We’ve had “Gangster Squad” and “Parker,” to name a few, and now “Bullet to the Head” fits right in with this pantheon of thrillers.

DVD RELEASE UPDATE

Steven Spielberg’s creative hand has been behind many things, including a TV cartoon series called “Animaniacs” that first ran on FOX in the early 1990s.

Now you can catch up with the slapstick adventures of Yakko, Wakko and Dot as Warner Bros. releases “Animaniacs: Volume 4” in a 3-disc DVD collector’s set.

Lacking extras or frills, the DVD collection features 24 episodes from this fan favorite cartoon series following the wacky characters who were so crazy that the studio executives locked them in the water tower on the Warner Bros. studio lot.

Though designed for laughs, each episode features educational segments that cover subjects such as history, math, geography, astronomy, science and social studies, often in a musical format.

Mostly, “Animaniacs” is about off-the-wall characters, such as Pinky and the Brain, two mice bent on world domination. Chicken Boo is a giant chicken trying to integrate into human society.

Bobby, Pesto and Squit are the Goodfeathers, part of a New York mob of pigeons, who worship Martin Scorsese. It’s an offbeat homage to “Goodfellas.”

As advertised on the box cover, “Animaniacs: Volume 4” is the fourth and final volume of this Emmy Award winning series.

Tim Riley writes film and television reviews for Lake County News.

KELSEYVILLE, Calif. – It’s time again to dig out your art supplies and wave the olive branch or simply create a stunning poster for the 2013 Olive Festival Poster Contest.

Poster themes should reflect Kelseyville and the Olive industry.   

Livia Kurz of Rosa d’Oro Vineyards has announced that prizes will be awarded in three categories: under the age of 12, ages 12 to 18 and over 18.

In addition, a grand prize winning entry will be chosen to be used as 2014’s Kelseyville’s Olive Festival poster.

To be eligible, all entries must be submitted on paper with minimum dimension of 8.5 inches by 11 inches and no larger than 11 inches by 17 inches, and include the entrant’s name, age and phone number printed legibly on the back.  

All printable media will be accepted.  

Please deliver entries to Rosa d’Oro Vineyards tasting room, located at 3915 Main St. in Kelseyville, or the Main Street Gallery, located at 325 N. Main St. in Lakeport no later than 3 p.m. Wednesday, March 27.

Entries will be on display at the Main Street Gallery from April 1 through April 20 and again on display at the Festival on April 21 at Chacewater Winery and Olive Mill, 5625 Gaddy Lane, from 11 a.m. to 5 p.m.

For additional information, please contact the Main Street Gallery at 707-263-1871 or www.kelseyvilleolivefestival.com .