Arts & Life

tedkooserchair

Ted Kooser

Shadow play is among the few free entertainments left, and it must go on delighting children all around the globe.

Derek N. Otsuji lives in Hawaii, and here’s his reminiscence.

Theater of Shadows

Nights we could not sleep—
       summer insects singing in dry heat,
              short-circuiting the nerves—

Grandma would light a lamp,
        at the center of our narrow room,
               whose clean conspiracy of light

whispered to the tall blank walls,
       illuminating them suddenly
              like the canvas of a dream.

Between the lamp and wall
       her arthritic wrists grew pliant
              as she molded and cast

improbable animal shapes moving
       on the wordless screen:
              A blackbird, like a mynah, not a crow.

A dark horse’s head that could but would not talk.
       An ashen rabbit (her elusive self)
           triggered in snow

that a quivering touch (like death’s)
       sent scampering into the wings
              of that little theater of shadows
    
that eased us into dreams.

American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2011 by Derek N. Otsuji. Reprinted from Descant, 2011, Vol. 50, by permission of Derek N. Otsuji and the publisher. Introduction copyright © 2012 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. They do not accept unsolicited manuscripts.

KILLING THEM SOFTLY (Rated R)

The bleak landscape of small-time gangster thriller “Killing Them Softly” rests not just with urban decay, but with the backdrop of the run-up to the 2008 presidential election.

Based on the George V. Higgins novel, “Cogan’s Trade,” this criminal enterprise film involves petty hoods and sleazy losers who are pretty much oblivious to world affairs and the economic meltdown.

As if to create a sense of impending doom, “Killing Them Softly” makes plentiful use of radio and TV clips of posturing by various political figures to underscore the gravity of America’s financial crisis.

The political chatter is little more than background noise to the crooks and wiseguys who foolishly scheme to rob a high-stakes mob-protected poker game. Even in a bad economy, they just want a quick score for big bucks.

A longtime hanger-on in the underworld, Johnny Amato (Vincent Curatola), now in the dry-cleaning business, has come up with a slick plan to rob the card game run by regular dealer Markie Trattman (Ray Liotta).

To complete the actual theft, Johnny turns to jittery young crook Frankie (Scoot McNairy), who is fresh out of jail and flat broke. In other words, Frankie is the perfect patsy.

For his part, Frankie makes the dubious choice of tapping for a partner his drug-addled friend Russell (Ben Mendelsohn), a gleefully seedy Australian junkie whose latest criminal enterprise involves dog theft.

The Markie Trattman card game is a convenient target because Markie once imprudently boasted of his complicity in a robbery of one of his own mob-protected games.

Naturally, the conspirators are only too certain that the mob’s suspicion will fall immediately upon Markie, the guy most likely to know all the inside information.

With more bluster than brains, Frankie and Russell manage to pull off the robbery and escape without being recognized. But only a fool believes in a foolproof plan.

And there’s the rub. While the low-rent hoods are congratulating themselves, the mob takes drastic steps to deal with this situation, bringing in the seasoned enforcer Jackie Cogan (Brad Pitt).

Dealing through the mob’s buttoned-up middle manager Driver (Richard Jenkins), Jackie is hired to investigate the heist and restore the criminal status quo. It won’t be easy or pretty.

While Jackie is cool, cynical and detached, his usually efficient manner is constrained by the bureaucratic mentality of the unseen mob bosses who expect Driver to communicate their instructions.

The essential imperative for Jackie is not only to mete out punishment, but to deliver a message to would-be thieves that no one is beyond the reach of a criminal enterprise jealously guarding its turf.

Though he’s the consummate professional, Jackie finds it’s frustrating to navigate mounting complications, so he brings in trusted colleague Mickey (James Gandolfini) to assist with the assignment.

The once reliable Mickey has now become surprisingly unpredictable, seeing how he’s much more interested in overindulging in alcohol and prostitutes than taking care of business.

A gangster thriller that involves contract killers is bound to be violent. “Killing Them Softly” certainly has its share of mayhem, including one of the most brutally grotesque beatings of recent memory.

But this crime story plays out to a different tempo than others in the genre. Indeed, the violence is either sadistically brutal or just simmering below the surface, keeping the audience on edge.

Surprisingly, the hoodlums are often garrulous, talking at great lengths often to the point of annoyance. This is particular true when the dimwitted Frankie and Russell prattle on like high school stoners.

The political context frequently gets in the way of the film’s essentially nihilistic worldview. Quite frankly, it seems unlikely that hoods would hang out in dive bars where C-SPAN is the TV channel of choice.

“Killing Them Softly” also goes against the grain by doing unusual things like making Ray Liotta a relatively sympathetic figure and James Gandolfini even more malevolent than his turn on “The Sopranos.”

The film’s saving grace is Brad Pitt’s unflappable, subdued performance as the world-weary hired gun. And when his Jackie has a conversation with Mickey or Driver, it’s worth paying attention.

“Killing Them Softly” is not effortlessly categorized, and as such, it may not find its audience easy to reach. In short, this film was not made for hardcore action junkies.

DVD RELEASE UPDATE

This column space has frequently extolled the virtues of vintage TV series being released on DVD. I am not about to stop the practice now.

Once again, it is a pleasure to announce the DVD release of a classic detective show, this time “Mannix: The Final Season,” where Mike Connors still does the hard-boiled, gritty private eye gig.

“The Final Season” is the eighth year that Connors’ Joe Mannix defies the rules and protocols while fighting crime on the streets of Los Angeles.

The series also prominently featured Gail Fisher, who had the distinction, according to Wikipedia, of being one of the first African-American actresses to have a regular TV series role.

Whatever the case, Fisher and Connors made a great team in fighting the bad guys. “The Final Season” demonstrates that the series retained its vitality to the very end.

“Mannix: The Final Season” offers nearly 20 hours of high-speed car chases, flying bullets and fistfights. Through it all, Joe Mannix takes a beating and keeps on ticking.

Tim Riley writes film and television reviews for Lake County News.

tealelovefiddle

KELSEYVILLE, Calif. – Local farmer and fiddler Teale Love will be the guest performer at the Lake County Community Co-op’s annual Gratitude Gathering Dec. 1.

The event will begin at 6 p.m. at the Riviera Homeowners Club House at 9689 Soda Bay Road across from the the Riviera Market.

The potluck event is open to the public, co-op customers and owners.
 
Love, a retired minister who purchased 20 acres with his wife Chris in Lake County in 1997, offers his organically grown produce through the co-op and raises goats in the Kelseyville area.

He plays Irish fiddle with various groups throughout the county, including Uncorked, and had played weekly at Mollie Brennan’s beginning in 2007.
 
“Teale is such a genuine soul. His fiddling is straight from the heart. Very uplifting,” noted co-op member JoAnn Saccato, “and his organically grown produce is some of the best that we offer.”
 
Love will play at the co-op’s annual Gratitude Gathering, a potluck event that will feature free give aways, recognition of co-op participants and a reflection of the year’s activities.
 
For more information on the event, visit the co-op’s Web site at www.lake.coop or call 707-513-5226.

For more information on Teale Love, visit his Web site at www.lovefarms.net .

mendopops

FORT BRAGG, Calif. – Celebrate the holidays with a something for the whole family.

The Pops Orchestra, under the direction of Les Pfutzenreuter, will play your favorite holiday music with special guests In the Mix, The Acafellas, Sine Nomine, Dan Fowler, and the Fort Bragg High School Choir.

There will be a Mexican Posada, snacks and treats, pictures with Santa, and during the day a Craft Fair, 10 a.m. to 9 p.m.

Festivities begin at 6 p.m. and the concert at 7 p.m.

Tickets are available at the door, Harvest Market, Tangents and Out of This World, and online at www.symphonyoftheredwoods.org .

For information call 707-964-0898.

LAKE COUNTY, Calif. – Lake County Theatre Co. is planning auditions for its next play, “One Flew Over the Cuckoo's Nest.”

The play, which also was adapted for the big screen, is based on the classic novel by Ken Kesey.

There are parts available for 13 men and four women.

Auditions will be held from 7 p.m. to 9 p.m. Tuesday, Dec. 4, and Wednesday, Dec. 5.

An additional audition and possible callbacks will be held on Saturday, Dec. 8, at 10 a.m.

All auditions will be held at the Gard Street School Theater in Kelseyville.

Performances will take place the first three weekends of March.

If you have any questions, contact the director, Armand Plato, at This email address is being protected from spambots. You need JavaScript enabled to view it. .

Visit the company’s Web site at www.lcrt.org/ .

tedkooserchair

Here’s a poem for this season by Tim Nolan, of Minnesota. Once we begin to be thankful for things, there are more and more things to be thankful for.


Thanksgiving

Thanks for the Italian chestnuts—with their
tough shells—the smooth chocolaty
skin of them—thanks for the boiling water—

itself a miracle and a mystery—
thanks for the seasoned sauce pan
and the old wooden spoon—and all

the neglected instruments in the drawer—
the garlic crusher—the bent paring knife—
the apple slicer that creates six

perfect wedges out of the crisp Haralson—
thanks for the humming radio—thanks
for the program on the radio

about the guy who was a cross-dresser—
but his wife forgave him—and he
ended up almost dying from leukemia—

(and you could tell his wife loved him
entirely—it was in her deliberate voice)—
thanks for the brined turkey—

the size of a big baby—thanks—
for the departed head of the turkey—
the present neck—the giblets

(whatever they are)—wrapped up as
small gifts inside the cavern of the ribs—
thanks—thanks—thanks—for the candles

lit on the table—the dried twigs—
the autumn leaves in the blue Chinese vase—
thanks—for the faces—our faces—in this low light.

American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2012 by Tim Nolan, from his most recent book of poems, And Then, New Rivers Press, 2012. Poem reprinted by permission of Tim Nolan and the publisher. Introduction copyright © 2012 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

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