CLEARLAKE, Calif. – Local entertainer Andre Williams will perform with his talented Andre Williams Trio at Silk's in Clearlake on Thursday, March 31.
The performance will start at 5:30 p.m. and continue to as late as 8:30 p.m. at Williams' Silk's Bar & Grill.
Silk's Bar & Grill is located at 14825 Lakeshore Drive, Clearlake.
Call 707-995-7455 to reserve a table, as seating is limited.
LIMITLESS (Rated PG-13)
The premise that an experimental drug would allow someone to use 100 percent of the brain was explored in Alan Glynn’s thriller novel “The Dark Fields.”
Using one’s mental abilities to its fullest potential as the perfect panacea for coping in the Information Age was adapted by screenwriter Leslie Dixon for “Limitless,” a paranoia-fueled action thriller about a slacker writer whose life is transformed by a top-secret drug that acts like steroids for the brain.
We already know that enhancements for physical abilities lead to disastrous side effects. Imagine, then, the downside for the mental side of the equation.
In a nutshell, that’s the cautionary tale that is explored by “Limitless.”
Aspiring author Eddie Morra (Bradley Cooper) is suffering from chronic writer’s block. Looking untidy and disheveled, Eddie can’t even work up a title for new his book. Meanwhile, his publisher, having provided an advance, is impatiently awaiting results.
Eddie’s life changes instantly when an old friend introduces him to NZT, a revolutionary but untested new drug that allows him to tap his full potential.
With every synapse crackling, Eddie can recall everything he has ever read, seen or heard, learn any language in a day, comprehend complex equations and beguile anyone he meets.
Complications arise because Eddie has to keep taking NZT, and while his brain power may be limitless, the drug supply is not.
Initially, the mind-enhancing substance turns the unkempt Eddie into a sharply-dressed wunderkind. He hastily finishes his novel and then parlays a small sum into highly successful investments in the stock market.
His nascent financial skills soon draw the attention of Robert De Niro’s mega-mogul Carl Van Loon (what a name!), who invites Eddie to help broker the largest merger in corporate history.
The new and improved Eddie even manages to win back his old girlfriend Lindy (Abbie Cornish), who had become impatient and unforgiving about his previous indolence and disregard for professional advancement.
Meanwhile, Eddie’s newfound fame, fortune and ambition also bring him to the attention of people willing to do anything to get their hands on his stash of NZT.
With his life in jeopardy and the drug’s brutal side effects taking their toll, Eddie dodges mysterious stalkers and a vicious Russian mobster anxious to muscle in on what could be very profitable turf.
Watching Eddie’s journey from sloth and obscurity to wealth, fame and brilliance is an entertaining ride.
Effortlessly charming and charismatic, Bradley Cooper (notable for his starring performance in “The Hangover”) is well-cast in the role of turning a slacker into a smooth operator who can enthrall beautiful women and hard-charging tycoons with equal aplomb.
Similarly fascinating is watching Eddie, when things get hairy as bad people are after him, think and fight his way out of those situations with the help of a little pill.
Life gets more convoluted and thorny for Eddie when he gets embroiled in a police investigation of the murder of a young model. But his troubles with the pesky detectives pale in comparison to the threats posed by sinister forces eager to control the NZT product for themselves.
There is also the significant problem with the diminishing supply of NZT, upon which Eddie relies for staying on top of the world.
To what lengths will Eddie and others go in order to secure a hold on the black market drug? The answer to that question is what drives the suspense in this fantasy thriller.
Like most thrillers, “Limitless” has its limits when dealing with suspense. Unlike other movies in the genre, “Limitless” does not suffer pretensions about its greater meaning.
Not burdened with artistic or intellectual affectations, this suspenseful movie that just wants to deliver a fun time, and in that goal it succeeds very well.
Under the direction of Neil Burger, “Limitless” employs a number of visual tricks to suggest the unlimited potential of a brain firing on all cylinders. At times the imagery works; other times it looks more like gimmickry.
Overall, “Limitless” is enjoyable because Bradley Cooper is just as good at seducing the audience as his character is at doing the same to nearly everyone in his path.
Tim Riley writes film and television reviews for Lake County News.
LAKEPORT, Calif. – The Soper-Reese Community Theatre presents the fourth show in its new Third Friday Live series on April 15 at 7 p.m.
Headliners for the event, Lake County Diamonds, promise a toe-tapping great time with a unique infusion of vintage rock, rockabilly, blues and surf.
The group brings the music you remember and love back to life. For more information on the headliner group find them online at www.lcdiamonds.com/home.
Opening for Lake County Diamonds is Andy Rossoff with special guest, Jeff Kemp.
Rossoff, a New York City native, has been performing as a singing-piano-playing soloist for the last few years.
For the Third Friday Live Rossoff is joined by guitarist Jeff Kemp as they play a song list that crosses a variety of genres including pop ballad, blues, folk, and even an occasional country song or two. The dance floor will be open so bring your boogie shoes.
The Soper-Reese Theatre “Third Friday Live” series presents the best in local entertainment with more shows coming up on May 20 and June.
All seats for “Third Friday Live” are $10. Get your tickets online at www.SoperReeseTheatre.com or at the Theatre Box Office, 275 Main St., Lakeport.
The box office is open on Thursdays from noon to 5 p.m., and on the day of the show, for two hours before show time.
Tickets also are available at Catfish Books in the Safeway Center, Lakeport; at the Lower Lake Coffee Co. on Main Street; or by phone at 707-263-0577.
Look for updates on upcoming headliners and opening acts at www.soperreesetheatre.com. Major media sponsor for the series is Bicoastal Media, KNTI 99.5 FM Radio. Supporting sponsor is Lake Event Design.
LAKE COUNTY, Calif. – The Anderson Marsh Interpretive Association (AMIA) has announced its annual Old Time Bluegrass Festival Logo Contest for high school students in Lake County.
AMIA is offering a $100 prize to the student whose submission is chosen to be the logo for the 2011 Old Time Bluegrass Festival.
The contest is open to all students attending any Lake County High School, as well as Lake County 9-12 graders being home schooled.
The artwork should feature a heron theme with old timey bluegrass instruments such as fiddle, banjo, gut-bucket or mandolin.
Submissions will be judged by the quality of the art work and their suitability for appearing on T-shirts, posters and other promotional materials.
“We would like to involve and support as many Lake County students as possible,” said Bluegrass Festival coordinator Henry Bornstein. “The winner’s art will grace this year’s festival posters, flyers and T-shirts.”
Bornstein said all submissions will be on display with other art at the “Art in the Barn” display during the sixth Annual Old Time Bluegrass Festival, to be held rain or shine from 10 a.m. to 6:30 p.m. Saturday, Sept. 10, 2011.”
The deadline for entries this year is April 15.
Artwork must be an original, black and white ink drawing, submitted on white 8.5-inch by 11-inch paper. All identifying information must be put on the back of the artwork.
To be considered, entries should be sent so that that they are received no later than April 15 to Gene Vance, Lower Lake High School Art Department, P.O. Box 799, Lower Lake, CA 95457.
Complete contest information should be available from local High School art teachers, or contact AMIA at 707-995-2658 or
Find more information about the Bluegrass Festival at www.andersonmarsh.org.
Ellery Akers is a California poet who here brings all of us under a banner with one simple word on it.
The Word That Is a Prayer
One thing you know when you say it:
all over the earth people are saying it with you;
a child blurting it out as the seizures take her,
a woman reciting it on a cot in a hospital.
What if you take a cab through the Tenderloin:
at a street light, a man in a wool cap,
yarn unraveling across his face, knocks at the window;
he says, Please.
By the time you hear what he’s saying,
the light changes, the cab pulls away,
and you don’t go back, though you know
someone just prayed to you the way you pray.
Please: a word so short
it could get lost in the air
as it floats up to God like the feather it is,
knocking and knocking, and finally
falling back to earth as rain,
as pellets of ice, soaking a black branch,
collecting in drains, leaching into the ground,
and you walk in that weather every day.
American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©1997 by Ellery Akers, whose most recent book of poetry is Knocking on the Earth, Wesleyan University Press, 1989. Reprinted from The Place That Inhabits Us, Sixteen Rivers Press, 2010, by permission of Ellery Akers and the publishers. Introduction copyright © 2011 by The Poetry Foundation.
The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
Award winning journalism on the shores of Clear Lake.
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