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UPPER LAKE – The Blue Wing Blues Festival continued for the second night in the open air garden between the Tallman Hotel and the Blue Wing Saloon & Café on Thursday, Aug. 7.
Veteran world-class performers Kathi McDonald, Rich Kirch and David Hayes cooked up a raucous blues porridge of hits to open the show. The high-spirited crowd of people were treated to tight renditions of “Lawdie Miss Claudie,” “Talk To Me Baby,” “Help Me Baby (I Can’t Make It Alone)”, “Hound Dog,” “Hoochie Coochie Man” and “Rock Me Baby,” among others.
McDonald, very summery in a leopard-patterned, really short ensemble, pranced and danced about in high heels, interspersing her vocals with historical anecdotes about the blues music business. For example she cooed, “Albert King was one of the meanest men who ever slang a guitar.”
We can add another great artist to the census rolls in Lake County. Apparently, Rich Kirch has been living in Lakeport for some time now. We hereby welcome another great purveyor of the blues to the area.
In a post performance conversation with Bernie Butcher, 25-year Van Morrison bassist David Hayes was heard to inquire about the music scene in Lake County and Butcher invited him to check out Blues Monday’s at the Blue Wing and Hayes, who lives in Fort Bragg, seemed genuinely intent on stopping in from time to time.
After a short intermission, the BMF Band took the stage. Musically directed by the renown Robert Watson and fronted by guitarist Levi Lloyd, the group also includes drummer Steve Guerrero and keyboardist Richard Smith.
The group kicked off their set with a total Levi Lloyd arrangement of Junior Walker’s “Cleo’s Back.” They then did a tasty version of The Crusaders' “Put It Where You Want It.” The Crusaders are seldom covered. It was great stuff.
After running through a couple of Jimmy Reed numbers, including the customary, extended Bernie Butcher live remix version of “Big Boss Man,” it was diva time at the Blue Wing. Levi Lloyd declared , “good or bad, the blues is all about love. And here to break it down to you is …”
Bettie Mae Fikes paused just off mic and exchanged blues channeled energy with her muse. She launched into an absolutely accurate reading of “Your Husband Is Cheating On Us,” followed by “Down Home Blues.”
The dance floor overflowed like the libations of the Festival’s sponsors, Ceago Vinegardens and Zoom Wines.
Bettie Mae and the BMF Band were in fine form. Their blues and funk licks had folks continuously on the dance floor, a synchronized melding of the young and older.
When things had reached near fever pitch, the band took a break. When they returned to the stage, the groove continued. Bettie broke into a monologue that detailed her Southern roots. She spoke of her Gospel singing mother and blues gigolo father. How her friends gravitated toward rock and roll yet she stuck with the blues. She preached especially hard to the youth in attendance. I believe they received the message.
The set went an hour or so over the advertised end time of 9 p.m. If you missed Bettie Mae Fikes, she will be performing again in Lake County Oct. 4 for KPFZ’s Blues and Barbecue at the grange in Finley. In addition to her own CD, “Blues Holiday,” Ms. Bettie Mae also appears on the great Mavis Staples most recent CD, “We’ll Never Turn Back,” produced by Ry Cooder. Rolling Stone Magazine reviewed the CD complete with picture of Mavis and Bettie Mae in their May 3-17, 2007 issue. It’s a monumental testimony to the Civil Rights Era. Methinks you should get hip to it.
T. Watts writes about music and culture for Lake County News.
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The Judd Apatow comedy factory is at it again, cranking out yet another vehicle for slackers to get their share of laughs. In the tradition of “Superbad” and “Knocked Up,” incidentally two comedies in which Seth Rogen was either the star or writer or both, along comes “Pineapple Express” where Rogen wears multiple hats as a key player in front of and behind the camera. For such a busy guy, it’s interesting that he’s usually playing the goof or loafer with a serious lack of motivation.
Not surprisingly, “Pineapple Express” offers more of the same for Rogen in his role as Dale Denton, a giant loser with a serious fondness for weed. A disheveled process server who stalks his prey with a variety of costumes, Dale is not going anywhere in life, a point underscored by the fact that he’s dating barely legal high school girl Angie (Amber Heard).
Dale has a grudging business relationship with the laconic drug dealer Saul Silver (James Franco), deigning to visit his shabby apartment only to purchase some of the primo product. Unable to form complete thoughts into coherent sentences, Saul seems to be enjoying a rare new strain of marijuana called Pineapple Express.
Perhaps too stoned to know better, Saul appears only too willing to turn a business relationship into something more meaningful, if only to engage in some conversation beyond a transaction for illicit contraband.
While staking out a residence in an attempt to deliver a subpoena, Dale witnesses a cold-blooded murder committed by the city’s most dangerous drug lord, Ted Jones (Gary Cole), who’s assisted in this crime by a crooked cop (Rosie Perez).
Fleeing the scene of the crime in great haste, Dale drops the remnants of his Pineapple Express joint. This piece of smoking evidence, of course, is all that the evil drug lord and dishonest cop need to pick up a trail leading right back to the drug-dealing Saul.
When Ted’s goons arrive on the scene, Dale and Saul are suddenly thrust into a wild odyssey that puts them on the run, after discovering they are not just suffering from pot-induced paranoia. The long, weird journey to escape harm puts them in some awkward and often bloody, violent situations, such as when they confront drug middleman Red (Danny McBride), who’s only too eager to sell out his buddy Saul when pushed around by nasty, brutal thugs.
Only slightly less frightening is the encounter that the duo must endure by showing up for dinner at Amber’s house, since Dale had promised so many times to meet her parents (Ed Begley Jr. and Nora Dunn), who are in turn absolutely stunned and appalled by Dale’s erratic behavior. Of course, it’s absurd that Dale is going through this courtship effort when his life is in mortal danger.
For all their attempts at a getaway, Dale and Saul are slightly more consumed with a nearly insatiable desire to keep sampling the potency of Pineapple Express. This puts the loopy guys in more danger, though Dale appears more tuned into their predicament than the largely oblivious Saul. At one point, Saul thinks that hiding in a dumpster may be the best alternative to constant flight.
The charm, if that’s the appropriate word, of “Pineapple Express” is the developing friendship between the more uptight Dale and the perpetually unaware Saul. In a relationship forged by circumstances, these putative buddies have a weird, genial bond that makes them likable even when things get violently out of control in the climactic showdown with warring drug gangs.
Chemistry (an interesting word to use when talking about a drug-fueled plot) is very much present between Seth Rogen and James Franco. These guys are fun to watch, even in the most stressed-out situations. “Pineapple Express” is probably the best stoner comedy since the first “Harold and Kumar” movie, when the love of weed made the principals crave White Castle burgers. Meanwhile, Judd Apatow is just hoping that the target audience will crave this brand of humor, and most likely the younger crowd will prove more accepting of the elements of gross-out comedy mixed with violence.
DVD RELEASE UPDATE
Since the film reviewed this week is a Judd Apatow comedy, maybe it is only fitting to bring to your attention the DVD release of the raunchy teen comedy “Legacy,” the story of three sorority beauties who will have everyone watching their backs.
Haylie Duff stars as Lana Stevens, the hottest coed at the Omega Kappa house, who’s forced to accept one of the most unpopular girls on campus as her new sorority sister. But when this geeky pledge is found dead at a party, Lana and her two best friends become prime suspects in a murder investigation, lead by the intense and determined Detective Strasburg (Tom Green).
Full of tortured laughs, catfights, sex and murder, “Legacy” sounds just right for the Apatow crowd.
Tim Riley writes film and television reviews for Lake County News.
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