Arts & Life

 ‘MISSION: IMPOSSIBLE – THE FINAL RECKONING’: RATED PG-13

Not many film franchises result in a run of nearly three decades, but the “Mission: Impossible” action spy series has achieved that feat with the main agent, Ethan Hunt, portrayed by the same actor.

Granted, the James Bond installments, running for sixty years with six actors performing as Agent 007, have greater longevity, but there’s been only one Ethan Hunt, namely Tom Cruise, which is remarkable for the actor’s endurance.

A hallmark of the “Mission: Impossible” films is Tom Cruise’s commitment to death-defying stunts that are the essential component to the success of the series. Some of the harrowing stunts are just too mind-boggling to behold.

In “Ghost Protocol,” Tom Cruise scaled the outside of Dubai’s Burj Khalifa skyscraper, the world’s tallest building at 163 stories. The opening scenes of “Rogue Nation” had Cruise dangling from the side of a plane while it takes off.

In a chase to catch a train in “Dead Reckoning,” Cruise drives his motorcycle off a cliff before opening a parachute and gliding to safety. Supposedly this may have been the most dangerous stunt Cruise ever performed.

Given the history of daring stunts, what then is in store for “Mission: Impossible – The Final Reckoning?” The last film ended on a literal cliffhanger, with Ethan Hunt and his fellow IMF team members surviving a locomotive plunging off a bridge.

At the conclusion of 2023’s “Dead Reckoning,” Ethan, along with Ving Rhames’ Luther, Simon Pegg’s Benji, and Hayley Atwell’s Grace, were torn asunder and facing their most formidable adversary yet, The Entity, a malevolent AI capable of achieving the extinction of mankind.

The premise for “Final Reckoning” is fairly simple, and it would appear the story could have been wrapped up in a lot less than the nearly three-hour running time, and you’d still have the benefit of underwater thrills and in-flight danger anchoring the best stunts.

Within the intelligence world, Ethan and his IMF team will always be outsiders. Yet, the threat of The Entity taking over the nuclear arsenals of eight countries is so grave that President Sloane (Angela Bassett) welcomes the help of the IMF outcasts.

The mission is straightforward — find the invisible AI villain and destroy its capability to unleash a nuclear winter upon the universe. The stakes are so high that others join Ethan’s group.

The agent Degas (Greg Tarzan Davis) that had previously been chasing the team has joined their ranks. A nice addition is assassin Paris (Pom Klementieff), who was with the villain Gabriel in “Dead Reckoning,” and is now out for revenge.

Like any twisted megalomaniac, Gabriel (Esai Morales) has reappeared with his evil ambition to take control of The Entity to threaten the entire world with nuclear annihilation.

Similar to the ultimatums that were so frequent from the power-mad bad guys in James Bond films, the grave threat posed by The Entity finds military brass (Nick Offerman and Holt McCallany) and others fretting over whether Ethan and his team can pull off a miracle.

Of course, we know better than to question Ethan’s abilities. All we have to do is await how tricky the resolution is going to be, which is thrilling enough because Ethan may have plans but he seems to be letting them fly without a safety net.

Speaking of flying, which you get a sense of from the trailers, the stunt where Ethan is in a biplane chase of Gabriel that requires our hero to climb around the plane in flight, even hanging upside during evasive maneuvers, is stunning.

Action also takes place on the frozen tundra of the Arctic Circle where Ethan discovers exiled CIA analyst William Donloe (Rolf Saxon), last seen in the first film, who helps in locating the Russian submarine that was blown up in “Dead Reckoning” and now holds a key to The Entity’s source code.

Hooking up with an American submarine under the command of Captain Bledsoe (Tramell Tillman), Ethan embarks on a perilous deep-sea dive below the polar ice cap in the Bering Sea to navigate through the sunken Russian submarine in search of a source code gadget called the Podkova.

The narrative in the early going feels like unnecessary padding of the story, especially when the audience expects something forceful, bold and aggressive to quickly appear and deliver a spectacle. But patience is a virtue that is rewarded with epic action that has always defined the franchise.

At a running time that exceeds that of previous installments, “Final Reckoning” would have benefited from tighter editing, but in the end the action payoff is just so good that if this eighth film is indeed the last, then it is absolutely worth seeing.

As the capstone to Ethan Hunt’s and the IMF team’s exploits, “Mission: Impossible – The Final Reckoning” is fittingly true to form with its mind-blowing action scenes that will also be forever enshrined in the annals of a great spy thriller series.

Tim Riley writes film and television reviews for Lake County News.

aprilhvp 

April M. Wright stars as Belle in Harlem Voices. Courtesy photo.

 

LAKEPORT, Calif. — The public is invited to experience Harlem Voices at the Soper Reese Theater in Lakeport this weekend.

The show continues on Saturday, May 31, at 7 p.m., and Sunday, June 1, for a matinee at 2 p.m.

This original musical work is a powerful and deeply moving blend of historical storytelling and musical performance celebrating African American resilience and the enduring power of art to inspire change.

Harlem Voices spans 1923 to 1976 and begins in a segregated Prohibition-era speakeasy. Audiences are invited to immerse themselves in the experience and dress in Prohibition-era or fancy attire. Period-inspired food and beverages will be available for purchase.

It was written and composed by Clovice A. Lewis, Jr., cellist, composer, and Unitarian Universalist Minister, Harlem Voices reflects Lewis’ lifelong dedication to social justice, racial equality, and inclusive spirituality.

Performances feature four lead vocalists, a chorus, and a twelve-piece chamber orchestra. The production brings together a diverse cast of professionals from the tri-county and Bay Areas.

April M. Wright stars as Janet "Belle" Carter, a character who, along with her brother Evan, escaped the Rosewood, Florida massacre in 1923 and finds refuge in Harlem. A brilliant vocalist and native of Richmond, California, Wright has performed and taught extensively and currently hosts The Gospel Experience on KPFA 94.1 FM.

She also produced and is the star of “Chicken, Chitlins, and Caviar,” a musical journey through African American culture that opens this July at the Lesher Center for the Arts in Walnut Creek.

Joining Ms. Wright are Reginald V. Finley as Evan Carter, Belle’s brother. A pastor, gospel singer and composer, Finley’s live album, Live and Churchin’, captures his dynamic style and lifelong commitment to both music and ministry; Ben Meyers, Unitarian Universalist minister and vocalist, plays Belle’s romantic interest, Andrés Fontenot; and Blue Ryon, Lake County-based singer-songwriter and activist, appears as Belle’s best friend, Susan Wright.

Lake County’s a cappella chorus My Divas — Barbara Clark, Brenda Vickers Gravesen, Jo Fay, and Laura McAndrews Sammel — adds lush vocal harmony. The chamber orchestra features musicians, many of whom play with the Mendocino and Lake County Symphonies: Victor Hall, Sophia Becket, Sienna S'Zall, Lea Fainer, Joe Dupre, Joel Cohen, Jenness Hartley, James Anthony Leonardis, Leo Cavanagh, David B. Scollin, Carolina Calvache, and Beth Aiken.
Clovice Lewis plays Maurice, musical director of the Black Jay, and later the Pantheon Club, in Harlem. He is also our narrator and orchestra conductor.

"These are musical love letters to the resilience, brilliance, and cultural legacy of Black America. They are a call to remembrance, resistance, and hope — lifting up stories that must never be forgotten,” said Lewis.

Tickets range from $15 to $50 and seating is limited. Advance purchase is highly recommended. Purchase tickets at bit.ly/harlemvoicessoperreese.

The Harlem Voices production is a collaboration between Clovice Lewis and the Middletown Art Center presented by the partners and the Soper Reese Theatre.

The production is funded in part by a prestigious Humanities for All grant from California Humanities, a non-profit partner of the National Endowment for the Humanities, or NEH.

The federal government repurposed NEH funding in April resulting in the freezing of funds for state agencies and contracted grants nationwide, including Harlem Voices. Learn more about California Humanities at calhum.org.

The MAC is a nonprofit organization dedicated to elevating the quality of and access to contemporary arts in Lake County.

To learn more, donate, or support this and other MAC programs, visit www.middletownartcenter.org or contact MAC at 707-355-4465 or This email address is being protected from spambots. You need JavaScript enabled to view it..

The stars of “Four Old Broads.” Courtesy photo.

The stars of “Four Old Broads.” Courtesy photo.

 

LAKEPORT, Calif. — Get ready to laugh until your sides hurt as “Four Old Broads,” a delightfully outrageous comedy by Leslie Kimbell, takes center stage at the Soper Reese Community Theatre this June.

Proceeds from the production will benefit the Kelseyville Senior Center, which continues to serve a growing senior population with decreasing resources.

Show dates:

  • June 6, 7, 8, 13, 14 and 15.
    • Fridays at 7 p.m.
    • Saturdays at 2 p.m. and 7 p.m.
    • Sundays at 2 p.m.

Tickets are available online at www.SoperReese.com or at the theatre’s box office.

Senior discounts apply to every performance, and opening night (June 6) tickets are specially discounted with $5 off all seats.

Set in a Southern retirement home, “Four Old Broads” follows four sassy, spirited women determined to liven up their golden years.

When strange things start happening around the facility, the ladies turn into amateur sleuths, uncovering secrets, chasing thrills, and proving that growing older doesn’t mean growing dull.

“This production is not only incredibly funny, it’s also incredibly important,” said Becky Vreeland, director. “The Senior Center is serving more seniors than ever, but with fewer resources. This show is a fun way to support a vital part of our community.”

Whether you’re coming for the laughs, the cause, or both, “Four Old Broads” is a can’t-miss event that promises an unforgettable night (or afternoon) of theatre.

For reserved seating visit www.SoperReese.com

Yaelin Lim’s winning entry in the “Spirit of Lake County” Photography Contest. 


LAKEPORT, Calif. — Mendocino College/Lake Center is proud to announce that Dual Enrollment Student Ambassador Yaelin Lim has been awarded the Grand Jury Prize for the “Spirit of Lake County” Photography Contest, in this year’s Grand Jury Report.

Her winning photograph, selected from a highly competitive pool of submissions across Lake County, will be featured on the official cover of the 2025 Lake County Grand Jury Report. 

The judges praised Lim’s work for its emotional depth, artistic composition, and ability to capture a quiet yet powerful moment that resonates beyond the frame.

Lim, a dual enrollment ambassador for Mendocino College, has consistently demonstrated leadership, service and creativity throughout her time with the program. This award reflects not only her artistic talent, but the heart and thoughtfulness she brings to everything she does.

“Yaelin’s eye for beauty is what stood out for us, besides the obvious technical quality” said a member of the selection committee. “This recognition is deeply deserved, and we’re so proud to have her work honored in such a meaningful way.”

Yaelin Lim. Courtesy photo.




‘FIGHT OR FLIGHT’ RATED R

The hero of “Fight or Flight” is a bleached-blond washout, usually in a drunken stupor, hiding out in Bangkok because of a botched mission during his time in the Secret Service, but the disgraced agent is now reluctantly pulled back into service.

The film begins with a preview scene of an exceedingly violent mayhem on an airplane which plays like a coming attractions trailer and really sets the mood for the vicious fracas which the former agent must endure once he settles into his first-class seat. 

The writers and director James Madigan must have been inspired by the success of the “John Wick” films and Brad Pitt’s Ladybug, an assassin for hire, in “Bullet Train.” The commonality these films have is an abundance of hired killers and violent thugs run amok. 

This is what faces Josh Hartnett’s Lucas Reyes, who favors cheap Hawaiian shirts and shorts as if he were going to spend a day at the beach. He would rather stay idle, but then his former colleague and lover Katherine Brunt (Katee Sackhoff) offers him a chance at redemption.
 
The dissolute life of Lucas is obvious from his love of whiskey for breakfast and his encounter with the local bar owner at lunch when he says, “If I die in your bar, you can sell my organs to pay my tab.” 

All that Brunt asks of Lucas is to board a plane from Bangkok to San Francisco to track down a hacker terrorist known as The Ghost, with the inducement of a big payday and getting removed from the TSA’s “no-fly list.”

Once on the aircraft, the chaos that ensues is so intense that the action can only be labeled as bonkers, a description bandied about all over internet reviews with good reason.

Word that The Ghost would be on this flight has gotten around to the entire underworld, leading to the plane being filled with killers like the ones always trying to knock off John Wick.

Soon after takeoff, another passenger spikes Lucas’ drink with a drug before hauling him to a luxury bathroom to kill him, except that Lucas is immune to being rendered unconscious due to heavy drinking and he manages to turn a sprinkler head into a weapon.
 
Speaking of weapons, one must wonder how every assassin got past security screenings with knives, swords, handguns, machine guns and a chainsaw. Even a seatbelt and broken wine glasses are turned into weapons of death. The only thing missing is a rocket launcher.

While every passenger begins to look suspicious, Lucas finds allies in two flight attendants, the gutsy Isha (Charithra Chandran), showing an abundance of courage, and the amusingly nervous colleague Royce (Danny Ashok). 

For all his goofiness and knack for physical comedy, Josh Harnett is delightfully committed to the insanity that his role demands. In that respect, his nonchalant attitude results in an enjoyably charismatic performance. 

Forget any logic about the over-the-top wackiness of “Fight or Flight.” The film is an action-packed thrill ride filled with humor and carnage. This adds up to a lot of fun on a primeval level.

 

‘THE STUDIO’ ON APPLE TV+

Critics almost certainly would enjoy “The Studio” series on Apple TV+ more than the general audience, only because so much of the humor is like inside baseball, familiar mostly to those who cover the industry for a living.

The premise is quite funny. Seth Rogen’s Matt Remick is an ambitious executive at the troubled Continental Studios, which is desperate to create a box office hit that might just cover the losses endured with stinkers.

With bitter studio head Patty Leigh (a funny Catherine O’Hara) pushed aside, Remick, who has long coveted the position, has taken over, even though he lacks the killer instinct to squash anyone’s pet project.

Producers like Ron Howard and Martin Scorsese appear as themselves to seek support for their vanity projects, only to end up being humiliated by Remick because of his innate inability to be a straight shooter.
 
A lot of amusing studio intrigue is packed into the first episode, presaging good things to come. Bryan Cranston’s Griffin Mill, ruthless owner of the studio, has no vision for filmmaking other than to make huge profits, cinematic art be damned. 

On the other hand, Remick is a film lover interested in making films, as opposed to Mill only wanting to make movies, a distinction that rests with the belief movies can be commercial box office winners and films turn up in art-houses yielding meager returns. 

A general audience might miss the humor of an executive dismissively referring to a film producer as a “dime store Bob Evans.” The laugh comes from knowing Robert Evans, as the successful head of production at Paramount, delivered classics like “The Godfather” and “Chinatown.”

Seth Rogen, and his associates Ike Barinholtz and Chase Sui Wonders, lead a cast that delivers plenty of laughs, as the machinations of everyone jockeying for position is amusing and inventive, because it’s easy to appreciate the absurdity of workplace dysfunction. 

Tim Riley writes film and television reviews for Lake County News.

NORTH COAST, Calif. — The 18th annual Mendocino Film Fest is here.

Filmmakers and special guests are coming to the beautiful coast from far and wide! Tickets are selling fast, so be sure to snap yours up today.

For insiders, lots of notable locals will be on hand. Directors Ana Blanco and Natasha Benjamin will be attending along with other Noyo Harbor community members to celebrate the local premiere of their fascinating documentary about kelp forests entitled Sequoias of the Sea, showing Friday, May 30, at 1 p.m.

Will Hawkes, local boy made good and the co-writer of the Oscar-nominated short film “The Last Ranger,” will attend with his film in the “Making a Difference” short film program  on Friday May, 30, at 10 a.m.

A dozen more local creatives will be celebrated on the festival’s closing night event on Sunday, June 1, “Reel Mendo.” This showcase of local talent is a yearly festival favorite. 

This year includes a collection of 11 terrific short films by the very own Mendocino County filmmakers. Topics run the gamut from art and architecture to mushroom foraging to bootlegging to murder — with a host of subjects in between.

The festival — which runs May 29 to June 1 — will feature an eclectic selection of 67 local, American independent and international films from 20 countries — all of them riveting, with several made by Oscar and Emmy winning directors and producers. 

Moviegoers will have the rare opportunity to meet and chat with filmmakers following screenings and learn about their inspirations and challenges.

Come and learn about “Women Who Dare,” which showcases six powerful films about visionary and determined women who pursued their passions and defied the odds. For the first time, 55% of the slate of films are directed by women.

Calling all art and music-lovers! The program includes 17 films having to do with the arts, several resonant documentaries about the power of music, ranging from the songs of John Lennon to Giuseppe Verdi to Afro-Cuban jazz, and others focused on several facets of the arts — tapestries, photography, filmmaking, literature — compelling stories conveyed in both documentary and narrative form.

On Friday night, in the Festival’s signature tent, we will feature Coastal, a riveting documentary about one of the greatest rock musicians of all time — Neil Young. The film is directed by Young’s wife, actor/director Daryl Hannah. 

The movie will play Friday, May 30, at 7:30 p.m. and will be followed by a ’70s rock and roll party with five-piece band Moon Rabbit.

Animal and nature lovers will enjoy storytelling featuring sled dogs in the Norwegian Arctic, grey wolves in Yellowstone and flocks of sheep in the Pyrenees. And for all the gourmets and gourmands out there, we have a trio of culinary-themed documentaries — covering cheese, pastries and Italian cuisine — that you surely won’t want to miss.

The festival proudly features 16 environmental and social justice films this year. Current pressing sociopolitical issues like climate change, immigrant rights, LGBTQ freedoms and the Gaza-Israel conflict are an essential part of the programming lineup.

And if you just want to spend an evening laughing — and who doesn’t enjoy a good chortle — come to the Festival Tent on Saturday, May 31, at 7:30 p.m. to hear hilarious Bay Area comedian Natasha Vinik preceding the showing of the perceptive and funny documentary, Anxiety Club.

On Sunday, June 1, the festival offers its Fourth Annual Native Cinema event, one of the fest’s most popular screenings. This year features the Hawaiian film “Standing Above the Clouds” and a short film about the Kashia band of Pomo called “Our Ocean, Our Future.”

Satisfy your most pressing grammar questions and meet grammarian Ellen Jovin at her Grammar Table outside Gallery Bookshop in Mendocino from 10 a.m. to noon on Saturday, May 31. Don’t miss her film Rebel with a Clause screening on Saturday and Sunday, May 31, and June 1. 

Perhaps watching delicious pastry being baked in “The Sweet Story” (Saturday at 10 a.m. and Sunday at 1 p.m.) has whet your appetite? Then come for "Coffee with the Filmmakers” Saturday, May 31, and Sunday, June 1, at 9 a.m. at Cafe Beaujolais Garden and have a chat and a snack with the creative forces behind your new favorite movies.

To purchase tickets, go to MendoFilm.org/tickets. They can also be purchased at Festival Headquarters: Mendocino Film Festival Office, 45062 Ukiah St. To stay up to date all the Festival news, and to peruse this year’s complete program, please visit MendoFilm.org. Connect with us on Facebook and Instagram for announcements, radio interviews, film updates and more.

LCNews

Award winning journalism on the shores of Clear Lake. 

 

Search