LAKEPORT, Calif. – On Tuesday, Dec. 31, the Soper-Reese Community Theatre will celebrate New Year's Eve featuring The Funky Dozen.
The theater invites you to join them with your friends and families to enjoy the holiday season to dance, sing and bring in the new year.
Doors open at 8 p.m. Tickets are $40 for loge seating, and $50 for table seating.
Tickets are available at The Travel Center in the Shoreline Shopping Center, Monday through Friday 9 a.m. to 5 p.m.; the theatre box office on Fridays from 10:30 a.m. to 5:30 p.m. and two hours before show time on the day of any event.
Tickets also can be purchased online at www.soperreesetheatre.com .
Other coming events at the Soper Reese Theatre:
Lake County Live: Live two-hour radio special with Majide on KPFZ, 88.1 FM, 6 p.m. to 8 p.m. Sunday, Dec. 29.
Second Tuesday Classic Movies: “Casablanca,” Jan. 14, 1 p.m. to 6 p.m.
Third Friday Live: Featuring Bill Noteman and the Rockets, Jan. 17, 7 p.m.
LAKEPORT, Calif. – A full house greeted the 60 members of the Lake County Symphony Orchestra at its annual Christmas Concert held Sunday, Dec. 15, at Lakeport’s Soper-Reese Community Theatre.
It was a high point for the orchestra, which is winning acclaim as one of the best of its kind in Northern California.
Presented by the Lake County Symphony Association, which has recently changed its name from Clear Lake Performing Arts, the program featured a wide range of holiday favorites both secular and religious.
The young members of the Symphony Youth Orchestra, led by conductor Susan Condit, led off with themes from “Gloria” by Antonio Vivaldi, and a contemporary number called “Bobsled Run” written by Lloyd Conley. The group won applause for their skillful playing of the two difficult pieces.
The scene was set for the main program by the local vocal group “My Divas,” although they rounded out their number with a couple of male vocalists, singing the popular Burl Ives “Have a Holly, Jolly Christmas,” accompanied by the audience.
The symphony’s Music Director and Conductor John Parkinson then took the podium to lead his musicians through a tune written by Chip Davis entitled “Fanfare on Hark! The Herald Angels Sing” which he had arranged for the orchestra.
This was followed by a half-dozen popular Christmas numbers including such favorites as “Winter Wonderland,” “Frosty the Snowman” and Victor Herbert’s “March of the Toys.”
Following intermission, where a large selection of home-baked cookies were served by the women of the Symphony Association Auxiliary, Parkinson took the occasion to present scholarship certificates to Youth Orchestra members Clayton Rudiger and Max Lehman.
He then introduced Hidden Valley Lake’s singing sensation Shelly Mascari, who delivered another six popular numbers arranged by John Parkinson, including Vince Guaraldi’s “Christmas Time is Here,” Irving Berlin’s “White Christmas,” and Mel Torme’s “The Christmas Song.”
She concluded with a sultry and sexy delivery of “Santa Baby” written by Joan Javits and Phil and Terry Springer.
Four songs of faith formed a sing-along medley with the audience joining “My Divas” in singing “Joy to the World,” “Oh Come All Ye Faithful,” “Hark the Herald Angels Sing” and “Silent Night.”
Then all orchestra members donned Santa hats to play Leroy Anderson’s “Sleigh Ride.” Parkinson sported a version that was royal purple in color.
As has become a tradition, the program ended with the audience joining in singing the “Hallelujah Chorus” from George Handel’s “The Messiah.”
At its conclusion the concert was awarded with continuing applause from an audience reluctant to leave its seats after hearing what many believed to be one of the best concerts ever presented by the Lake County Symphony.
This was the 36th Symphony Christmas Program and if attendance is a measure, it appears to have been the most popular yet.
According to Andi Skelton, who doubles as orchestra Concertmaster and Chair of Youth Music Activities for the Symphony Association, the open rehearsal held Sunday morning was also a near sellout.
The rehearsal is offered free of charge to anyone under the age of 18, and others are charged only five dollars admission.
Readers of this column may be expecting a review of “The Hobbit,” one of the major holiday film releases. Regrettably, a screening opportunity was either not available in time or Warner Bros. felt no great need to promote a sure thing box office hit.
In any case, it’s all for the better because due to my insufficient “Lord of the Rings” knowledge I really wouldn’t know the difference between Bilbo Baggins and the infamous Senator Theodore Bilbo (check out his sordid, checkered career online).
In a pivot away from medieval fantasy, David O. Russell’s “American Hustle,” rooted in the corruption of the late 1970s Abscam scandal, plays out as a fantasy of a different sort in a chaotic world full of con artists and hustlers vying for an edge.
The FBI sting operation that took down various politicians during the post-Watergate Jimmy Carter era seems too ripe for parody, considering that a fake sheik was used to entice the corruptible into accepting bribes in exchange for political favors.
At the film’s opening, a tag line reading “Some of this actually happened” is a tipoff to the playful subversive nature of director Russell conflating actual events and fictionalized accounts that are so fanciful that the shadowy world of undercover operations reeks of ambiguous morality.
Christian Bale is outstanding as hustler Irving Rosenfeld, the Bronx-born owner of a chain of dry cleaning shops who dabbles in phony bank loan schemes that appeal to incredibly gullible or desperate victims.
Overweight and balding (which is ridiculously concealed with a hairpiece that looks like roadkill), Irving’s unvarnished confidence charms the sexy Sydney Prosser (Amy Adams), a New Mexico native who passes herself off as Lady Edith Greensly, with banking connections in London.
Fast becoming soul mates in crime, Irving and Sydney team up for more elaborate con jobs to separate the unwitting from their cash. Before long, the duo’s partnership becomes a full-blown love affair, apart from the fact that Irving has a wife and adopted son residing in Long Island.
Too eager to close a fake loan deal one day, Irving and Sydney get tripped up by the wily FBI agent Richie DiMaso (Bradley Cooer sporting a perm and dressed like he came straight out of “Saturday Night Fever”), who offers them a questionable deal to avoid jail time.
Bucking for a promotion and looking for a big takedown, Richie thinks that Irving and Sydney would fit nicely into his sting operation that does not exactly meet with the approval of his superior (comedian Louis C.K., amusing as the bumbling bureaucrat type).
Richie is the type of rogue agent who may have the right motives but seems to be out-of-control. As such, he’s the perfect guy to work with other con artists. You get the feeling that Richie could easily work the other side of the street.
The beauty of the high stakes caper in “American Hustle” is the unpredictable nature of the parties involved. On either side of the law, it’s hard to tell where to draw the line between those being conned and the ones doing the manipulation.
Though big fish like a U.S. Senator and several congressmen are ultimate targets, the sting operation centers first on charismatic New Jersey mayor Carmine Polito (Jeremy Renner), whose motives appear altruistic when he seeks funding for an Atlantic City casino.
Mayor Polito, though not adverse to a little piece of the pie, really wants to generate jobs and income for a blighted area of the state. Unfortunately, he gets ensnared in a scheme of easy bribes and bad choices.
Helping to weave the web of deceit, a Mexican-American FBI agent (Michael Pena) poses as an Arab sheik, his handlers convinced his darker skin allows him to impersonate a Middle Eastern investor. This is just one of many comical situations.
Robert De Niro shows up as a lieutenant for Meyer Lansky and the Miami Beach mafia, anxious to tap into the potential lucrative business of a legitimate casino, as long as the palms of politicos can get greased to expedite permits and licenses.
As the scamming of crime lords and politicians gets ratcheted up, Irving’s alcoholic, loose cannon wife Rosalyn (Jennifer Lawrence), her hair swept like a hornet’s nest, enters the fray, manipulating Irving and one of the mafia goons out of Florida.
Speaking of scheming behavior, Sydney (or I should Lady Edith) is also busy manipulating Richie into an emotional tailspin, convincing him that she’s ready to ditch Irving. Nothing is as it seems.
“American Hustle” is a delightful merry-go-round of con jobs and schemes, leading to plenty of unhinged behavior with deliciously comic outcomes. Director David O. Russell has come up with a story where the fiction is even stranger, and certainly funnier, than the truth.
Tim Riley writes film and television reviews for Lake County News.
LAKE COUNTY, Calif. – The Lake County Symphony Association, in conjunction with a grant from the Lake County Wine Alliance, will offer free violin, viola and cello lessons to fourth grade through high school students.
The classes are for beginning students with little or no musical experience.
A meeting for more information and registration will be held on Sunday, Jan. 12, at 3 p.m. at the Kelseyville Presbyterian Church, 5340 Third St. in Kelseyville.
Classes are scheduled to begin in February at different locations around the lake.
Instruments are not included with the class but are available for rental or purchase through several local stores.
For more information contact Sue Condit at This email address is being protected from spambots. You need JavaScript enabled to view it. .
UPPER LAKE, Calif. – Returning to the Blue Wing Saloon is CeeCee James, award-winning blues singer and songwriter.
James will perform from 6:30 p.m. to 9 p.m. Monday, Dec. 16.
Recent winner of the 2013 Blues Blast Song of the Year award, James has been winning awards and selling out shows both domestically and internationally with her power house vocals and searing songwriting.
James is one of those performers who comes across with more fire and fever when experienced live than is able to be captured on a recording. Stevie Ray Vaughan was often described the same way.
James has a blistering voice that reaches for every ounce of emotion, sweat and raw power that she can muster.
She is old-school blues – a steamy, sexy delivery of smokey back room stories spread over a bed of greasy slide guitar and pumping rhythms. She oozes blues.
Also joining James for a few special songs will be Lake County local Kayla Bell, lead singer for Ailura Fate.
The Blue Wing Saloon is located at 9520 Main St., Upper Lake.
There is no cover charge, and tips are appreciated. Dinner reservations are recommended at 707-275-2233.
Many of us feel a great sense of pride as we watch our children discover the world for the first time.
Here, Kathleen Driskell, a Kentucky poet, shows us her own daughter taking that first taste of a late summer watermelon she has grown herself.
Seed
In first grade, you met Squanto, nearly naked and on his haunches, showing those thick-headed pilgrims how one must plant fish to grow maize. And in autumn you dove into the lobotomized pumpkin, into the gooey pulp and seeds, raising a clump like a slimy chandelier from the Titanic. And now in late summer, daughter, you smile, holding a ripe watermelon, cut in half, exposing the black seed within its bright red heart. Your melon. How proud you are to think you grew this delicious thing all on your own.
American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright 2009 by Kathleen Driskell, whose most recent publication is Peck and Pock: A Graphic Poem, Fleur de Lis Explorations, 2012. Poem reprinted from Seed Across Snow, Red Hen Press, 2009, by permission of Kathleen Driskell and the publisher. Introduction copyright 2013 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.
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