Let Sandy and Sylvia show you the many facets of creating a unique piece of art.

The Gourd Gallery is located in the new Harbor Village Artist complex at 6197 E. Highway 20 in Lucerne.

Call 274-2346 for information.

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As a television series, “The X-Files” was wildly popular, particularly with the crowd that enjoys something weird and paranormal. Then, years ago, along came an “X-Files” movie that now I can scarcely recall, but dimly remember as muddled and barely comprehensible. My lack of connection to the movie probably was due to having seen, at best, only a couple of episodes of the original TV series.

For reasons unclear, after all these years, “The X-Files: I Want to Believe” emerges from the fervid imagination of creator Chris Carter. If I want to believe anything at all, it’s simply whether this new “X-Files” holds up its billing as a standalone plot which requires little more than a passing acquaintance with famous characters Scully and Mulder and the premise of the old series.

“The X-Files: I Want to Believe” does give reason to accept as true its underlying promise. At one time, Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) were agents at the FBI, pondering the paranormal to solve crimes, and yet just strange happenings often defied explanation.

Now, Mulder is a virtual recluse somewhere in West Virginia, mostly clipping newspapers. Scully is a first-rate surgeon working at a Catholic hospital, bucking heartless administrators who don’t want her to pursue a risky operation on a young boy that requires experimental stem cell technology.

Meanwhile, in the snowy fields of West Virginia, swarms of FBI agent are combing the countryside to locate a missing colleague. The investigation is being assisted by the eccentric Father Joe (Billy Connolly), a pedophile former priest who claims psychic ability.

Agent Dakota Whitney (Amanda Peet), while not exactly a believer in the paranormal, is willing to give the disgraced priest some benefit of the doubt. On the other hand, Agent Drummy (Alvin “Xzibit” Joiner) is downright hostile to using tactics outside the field manual.

Agent Whitney prevails upon Scully to bring Mulder back into the fold, at least for this one vexing case that quickly turns into serial murder. Practical and logical, Scully despises the former priest’s crimes against kids, and this feeling is likely exacerbated by her emotional involvement with her young patient who is terminally ill absent a miracle operation.

For his part, Mulder is more willing to believe that Father Joe could be on to something, particularly when he locates body parts hidden in the snow and bleeds from his eyes when overcome by one of his visions. This sets up the dichotomy between Mulder and Scully, a situation that sets up a believer against a skeptic, which apparently reflects their ongoing duality.

What’s entirely believable, though, is that the plot veers off into the serial killer territory that is just plain creepy, as if “The Texas Chainsaw Massacre” was suddenly joined with “Frankenstein” while mixed up in paranormal weirdness. Without giving away too much detail, it can be safely said that trafficking in body parts takes on a nasty, brutal gruesomeness that makes me, at least, question the wisdom of a “PG-13” rating on this movie.

The mood and tempo of this crime thriller is advanced by the gloomy, wintry backdrop of desolate areas in the bleak countryside. The movie’s villains are aliens, but not the extraterrestrial kind. There’s true menace to these bad guys, which is really stating the obvious when the horrific, gruesome nature of their crimes is revealed.

Even though, as mentioned earlier, “The X-Files: I Want to Believe” is a standalone affair, it’s perhaps asking too much for the movie to appeal to people not already attached to the characters and the franchise’s paranormal pedigree. The movie is simply not a strong enough entry in the summer sweepstakes to pull an audience already given great picks like “The Dark Knight” or one of the other credible superhero adventures.

“The X-Files” asks us to believe that it holds great interest as a serious crime thriller with psychic overtones, but there will be skeptics.

DVD RELEASE UPDATE

Not to be confused with the August release of “Deal,” about an arrogant young card player on the world poker tour, “The Deal” is a fitting release for an election year. OK, it’s not about American politics, but it still has relevance.

Chronicling the rise of two British politicians, “The Deal” delivers an intimate portrait of Tony Blair and Gordon Brown, both of whom united to make the Labor Party electable for the first time in a generation.

The film probes the enduring, complex and often tense relationship between the former Prime Minister Tony Blair (Michael Sheen) and his successor Gordon Brown (David Morrissey). For those like me, with a short term memory, you should know that “The Deal” initially debuted on HBO last year, and so our familiarity with this movie is probably limited.

It is, however, a compelling drama about how the intellectual Brown was eclipsed by his younger, charismatic protégé Blair, who delivered an election victory.

Tim Riley writes film and television reviews for Lake County News.

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Remember how the “Batman” franchise was revitalized only three years ago with the powerful, memorable and brilliant “Batman Begins,” taking the comic book series in a direction that was anything but jokey?

Well, brace yourself for something even better, which is exceedingly rare for a sequel. Hyperbole should be resisted at all cost, but the newest adventure of Batman in “The Dark Knight” is arguably the best film of the year, possibly holding that acclaim long enough until the Academy starts announcing candidates for Oscar awards.

Reuniting writer-director Christopher Nolan and star Christian Bale in the titular role, “The Dark Knight” is an artful balancing act of a supreme popcorn movie and serious artistic endeavor. The camp of Adam West as TV’s Batman and even of the earlier film versions has receded graciously into oblivion, replaced with a sober purpose.

The result is not as somber and grim as to press all fun out of a superhero creation. It’s simply that no one needs to yell “Holy Batcave” or something equally elementary. Silly dialogue is plainly missing, albeit some sly humor creeps in when necessary.

What is really of consequence in “The Dark Knight” is not just full-throttle action, but a sense of Shakespearean tragedy. To explain this concept more fully would require divulging some serious plot twists, and to do so would be a grave disservice.

As wealthy industrialist and playboy Bruce Wayne and his alter ego Batman, Christian Bale has so completely captured the enigmatic qualities of the Caped Crusader that it’s easy to forget the likes of Michael Keaton, George Clooney and Val Kilmer.

Christopher Nolan has turned the corner on his characterization of Batman, and there’s no going back to the old days. Bale’s Batman is a brooding superhero, reserved and taciturn when engaged in his serious crime-fighting mode. Believably strong, he fills the Bat costume with the forceful determination that no other actor has been able to accomplish.

Gotham City (looking very much like Chicago) remains a place of menace and foreboding, despite the presence of Batman. Crime cartels are on the rise, allowing Eric Roberts to play a sleazy mob boss. With the help of police lieutenant Jim Gordon (Gary Oldman) and the idealistic new District Attorney Harvey Dent (Aaron Eckhart), Batman sets out to wipe out organized crime.

The triumvirate’s initial success is soon blunted by the sudden arrival on the scene of criminal mastermind The Joker (the late Heath Ledger).

Ruthlessly seeking to climb to the top of Gotham City’s criminal food chain, The Joker is probably the most clever, diabolical and psychopathic criminal to ever emerge. He represents pure, unadulterated evil, in the sense that he has no logical motivation for his actions.

However, The Joker, his face smeared in a distorted clown makeup, is clearly motivated to wreak chaos on Gotham City, if only because his ultimate goal is to destroy Batman.

Meanwhile, Bruce Wayne views his Batman role as a short-term crusade, which explains his hope that the crusading Harvey Dent can become Gotham’s hero. Sadly, Bruce Wayne has found that the love of his life, Rachel Dawes (Maggie Gyllenhaal taking over for Katie Holmes), is now romantically drawn to Dent. Notwithstanding hurt feelings, Bruce puts a lot of energy into supporting the ambitious district attorney, with interesting consequences emerging later on.

To be sure, “The Dark Knight” delivers the goods with plenty of intense, heavy action, from the opening bank heist to recurring instances of mayhem on the streets of Gotham. The Joker pedals his diabolical plans with chaotic precision, setting traps all over town in his cat-and-mouse game with the Caped Crusader.

Contemptuous of minor thugs and crime bosses, The Joker relishes the mental challenge of a death match with Batman. But there are plenty of explosions and daring high-speed chases that are very much a part of the existential duel between two opposite forces.

“The Dark Knight” can be enjoyed tremendously on several levels. First and foremost, it’s a great action picture, with all the bells and whistles. On the other hand, it’s a complex, adult story that belies any comic book roots. The characters are engaging and serious, with Heath Ledger giving the performance of his all-too-brief life. The Joker is a chilling, menacing character, so completely twisted and psychotic that his every move merits close attention.

The entire cast of “The Dark Knight” is spectacular, with Ledger, Bale, Oldman and Eckhart most deserving of praise. If the opportunity is available, be sure to see “The Dark Knight” at an IMAX theater.

DVD RELEASE UPDATE

The infamous and unsolved crimes of the Boston Strangler remain mystifying more than 40 years after the killing spree targeted nearly a dozen single women.

“The Boston Strangler,” being released on DVD, stars David Faustino (at one time Al Bundy’s son on “Married With Children”) as Albert De Salvo, an imprisoned small-time crook who devises a plan with his manipulative cell mate to confess to being the strangler in an attempt to gain notoriety from the killings and reap the reward money. Meanwhile, Detective John Marsden (Andrew Divoff) is certain one person alone could not have committed the crimes.

Going in a complete different direction, the DVD release of “Spaced: The Complete Series” is something I am anxious to discover, if only because it’s a cult British sitcom.

What’s of interest is that it stars Simon Pegg as an aimless London resident barely able to hold a job. If “Spaced” is anything like Pegg’s work in “Shaun of the Dead” and “Hot Fuzz,” this British takeoff on “Friends” has to be worth a look.

Tim Riley writes film and television reviews for Lake County News.

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Osborne will offer a class on painting the ocean, waves, rocks and sea life in watercolor on Sunday, Aug. 10 and Monday, Aug. 11, from 9:30 a.m. to 4 p.m., with lunch at noon. Cost for the class is $165.

This is a great class for beginners and all levels to discover how to make watercolor paint itself. Osborne's method of working consists of two parts: a wild, spontaneous phase, in which you will learn to create texture that will give the illusion of water, waves, rocks, trees; and a realism phase, in which

you will learn to add detail so the viewer's eye will read the rest as reality.

Let go and watch how the paint and water mix on their own – and you will not get mud. Here's a chance to become the watercolor artist you have always wanted to be. All levels are welcome.

Visit Osborne's Web site at www.patriciaosborne.com.

The materials list and the sign up sheet is available at the Main Street Gallery, 325 N. Main St., and on the Lake County Arts Council Web site, www.lakecountyartscouncil.com.

The number of participants limited; please call the Lake County Arts Council about availability, 263-6658.

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LAKEPORT – The Soper-Reese Community Theater will host a variety of plays and musical performances in August and during the fall months.

In August, the Lake County Theater Co. will present “Little Women,” the timeless classic by Louisa May Alcott about the March sisters’ journey from childhood to maturity during the Civil War. Performances take place Aug. 8 through 10, and Aug. 15-17.

The Black Irish Band will visit the theater Sept. 20. The band, which has produced 17 albums in 18 years, includes five musicians who play music from Ireland, Italy and America.

On Oct. 4 and 5, The Golden Follies will perform at the Soper-Reese. The troupe of women over 50 dances Ziegfield Follies in a high energy, fast-paced, Las Vegas-style revue.

Also in October, Paula Samonte and Her Band will perform at 7:30 p.m. Oct. 18 and 2 p.m. Oct. 19. A musician’s singer, Samonte and her band offer a big night of jazz music.

Rounding out October is the Triskela Celtic Harp Trio, which performs on Oct. 25. The three women play harp and sing an eclectic mix of Celtic, Middle Eastern and Latin music

The Soper-Reese Community Theater is located at 275 S. Main St., Lakeport, telephone 263-0577. Visit the theater on the Web at www.soperreesetheatre.com.

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“We have a great one, right here, this summer – a series of eight stimulating lectures, from leading novelists and poets, speaking on a wide range of subjects,” Evans said. “They’re bound to appeal whether you’re a writer, a reader, or just passionate about art and ideas.”

The lectures will run Monday, July 28 through Thursday, July 31, at the Napa Valley College’s Upper Valley Campus in St. Helena. (For a full schedule, see www.napawritersconf.org.)

Tickets for the lectures are $25 when reserved in advance or $30 at the door. Advance reservations are recommended.

The prize-winning poets and novelists prepare a lecture about whatever is most compelling to them at the moment. “As a result, the lectures offer a kind of snapshot or Rorschach test of where our culture is at the moment, when it comes to arts and letters,” said Evans.

In the 1990s, Evans explained, the writers seemed to focus more on the craft of writing, whereas lately they have become more engaged in the larger world. Especially since Sept. 11, 2001, writers have become more concerned with their responsibility as chroniclers of social and political injustice and upheaval.

On Thursday, July 31, at 9 a.m., Brenda Hillman will speak on “Reportorial Poetry: Bringing Poetic, Spiritual, and Political Activism Together.” The war in Iraq, African genocide, and the oppression of women have all entered her poems recently.

“I’m going to talk some about the issue of writing ‘politically’ in the past,” Hillman said. “I’ll mention the work of Shelley, George Oppen, Denise Levertov and Robert Duncan, particularly the debate between Levertov and Duncan and how it inspired me. What does a reporter consider when looking at an ‘activity’ and how might the 'stuff' of an activity make it into poetry?”

Hillman is the author of eight books of poetry, most recently “Pieces of Air in the Epic.”

Novelist Lan Samantha Chang will lecture on the well-known short story “The Things They Carried” by Tim O’Brien, from the book of the same title about the author’s experience in Vietnam.

“This book is widely assigned in high school English classes and is a favorite of young people,” said Evans.

Chang is the author of the novel “Inheritance” and is the director of the Iowa Writers’ Workshop, the premier graduate writing program in the nation. Her work has appeared in “Best American Short Stories.” Chang’s lecture is scheduled for Tuesday, July 29 at 1:30 p.m.

Film-lovers will want to attend Ehud Havazelet’s lecture on Thursday, July 31, 1:30 p.m, entitled “Alfred Hitchcock’s Psycho and Point of View.”

“I want to show how masterfully Hitchcock uses point of view to force us into his movie, and then hope we can talk about how point of view works in fiction more generally,” said Havazelet, who will show scenes from the film.

Havazelet’s most recent novel, “Bearing the Body,” was a New York Times Notable Book of 2007.

Rounding out the lecture series are acclaimed poet Mark Doty, speaking on poet Jean Valentine; Ann Packer, author of the bestseller “The Dive From Clausen’s Pier,” on “Character and Consciousness”; Claudia Rankine on “The End of the Line”; Nick Flynn on “Bewilderment: Accessing the Unknown”; and Ron Carlson on “The Author’s Benevolent Ally: Doubt.”

“Ron Carlson is an unfailingly entertaining and inspiring lecturer,” said Dr. Chris McCarthy, president of Napa Valley College and a regular participant at the conference.

Barbara Insel, a marketing researcher in St. Helena, spoke highly of her experience attending lectures at the 2007 conference. “It was refreshing to get away from the every day and use the brain muscles in a slightly different way. Laura Kasishcke’s lecture was funny and insightful. It was about writing but also about everything.”

In addition to the lecture series, the public is welcome to the evening readings, Sunday, July 27, through Wednesday, July 30.

“We give these in wonderful venues, so that they’re meant to celebrate our joy in having so many wonderful literary artists in our midst,” said Evans.

The venues this year include the courtyard at the Upper Valley Campus, St. Supéry Winery, Robert Mondavi Winery and the Napa Valley Opera House.

Each reading is preceded by a wine reception. Tickets for the readings are $8 if reserved in advance and $10 at the door.

For reservations, please email This email address is being protected from spambots. You need JavaScript enabled to view it. or phone 707-967-2903.

For complete information, see www.napawritersconf.org/events or call 707-967-2903 to request a brochure.

Schedule of readings and lectures

Sunday, July 27

7:30 p.m.: Readings by Nick Flynn and Lan Samantha Chang. Upper Valley Campus, 1088 College Ave, St. Helena.

Monday, July 28

9 a.m.: Mark Doty, “Jean Valentine’s Ghost Sonnets.” Upper Valley Campus, 1088 College Ave, St. Helena.

1:30 p.m.: Ann Packer, “Character and Consciousness.” Upper Valley Campus, 1088 College Ave., St. Helena.

7:30 p.m.: Readings by Claudia Rankine and Ron Carlson. St. Supéry Winery, Rutherford.

Tuesday, July 29

9 a.m.: Nick Flynn, “Bewilderment: Accessing the Unknown.” Upper Valley Campus, 1088 College Ave, St. Helena.

1:30 p.m.: Lan Samantha Chang, “What is a Short Story? Structure and ‘The Things They Carried’ by Tim O’Brien.” Upper Valley Campus.

7:30 p.m.: Readings by Brenda Hillman and Ehud Havazelet. Robert Mondavi Winery, Oakville.

Wednesday, July 30

9 a.m.: Claudia Rankine, “The End of the Line.” Upper Valley Campus, 1088 College Ave., St. Helena.

1:30 p.m.: Ron Carlson: “The Writer’s Benevolent Ally: Doubt.” Upper Valley Campus.

7 p.m.: Readings by Mark Doty and Ann Packer, Napa Valley Opera House, 1021 Main St., Napa. Wine reception hosted by Saintsbury Winery.

Thursday, July 31

9 a.m.: Brenda Hillman, “Reportorial Poetry: Bringing Poetic, Spiritual and Political Activism Together.” Upper Valley Campus, 1088 College Ave, St. Helena.

1:30 p.m.: Ehud Havazelet, “Alfred Hitchcock’s Psycho and Point of View.” Upper Valley Campus, 1088 College Ave., St. Helena.

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