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Arts & Life
UPPER LAKE, Calif. – The Lake County Wine Studio is presenting monthly art classes with wine, co-hosted with artist Anna Sabalone.
This month's wine and art session with Sabalone is scheduled for Sunday, Feb. 10, and will feature a butterfly painted with arcylics. The session time is 1:30 to 4 p.m.
The class fee of $40 covers all of the provided art supplies needed along with step-by-step guidance and a glass of Lake County wine. Reservations are required for each month's class as participation is limited to 12 people.
Sabalone was born and raised in Lake County. She has been involved in the Lake County Arts Council since her teen years.
She attended the University of California, Santa Barbara and the University of Leeds, England for her undergraduate degree in English, history and anthropology. She earned her teaching credential and Master’s of Education from UCSB and has been teaching art, English, history and academic decathlon at Upper Lake High School since 2008.
For class schedule, reservations and additional information, contact Susan Feiler at 707-293-8752.
The Lake County Wine Studio is both a gallery for display of arts and a tasting room, wine bar and retail shop for the fine wines of Lake County. Artists’ shows are held on a monthly basis with art and wine receptions held the first Friday and subsequent Saturday of each month.
The gallery is located at 9505 Main St., in Upper Lake.
For more information call LCWS at 707-275-8030.
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- Written by: Lake County Wine Studio
MIDDLETOWN, Calif. – Middletown Art Center’s Restore project features a writers workshop with Lake County Poet Laureate Richard Schmidt on Saturday, Feb. 9, from 1 to 5 p.m.
Richard Schmidt, current Lake County Poet Laureate invites all interested writers to an afternoon of comfortable fun, a “no theme, no rules, spontaneous positive energy, natural born storyteller creative writing workshop.”
He is a co-author of “Reads” (an anthology of writings by the Lakeside Writers Guild), iUniverse 2006, and is the author of three books, “Single Tree,” a collection of short stories, fiction, Tenacity Press 2008; “Abel Stover, a novella, fiction, Tenacity Press 2011; and “Pony Tales,” a collection cowboy prose and poetry, Tenacity Press 2014.
Schmidt is a facilitator of the First Thursday Writer Circle, a monthly gathering at the Main Street Gallery in Lakeport, for all levels of writers. He is the literary arts coordinator of the Lake County Arts Council’s Main Street Gallery Committee and current coordinator for the Lake County Poetry Out Loud competition.
For the past several years he has judged the Academic Decathlon poetry and art divisions for the Lake County Office of Education and facilitated Big Read Events for the Lake County Library.
He has produced a bimonthly column “Creative Expressions” with the Lake County Record-Bee to give local poets a venue for publishing their work and is a literary commentator on KPFZ’s “Big Art” radio show.
Adults and children age 12 and up of all levels of experience are invited to come to one or monthly Restore writers workshops that will be offered through May.
Please register in advance for all Restore classes at www.middletownartcenter.org/restore, email
Participants in this or any of the project’s writers workshops are invited to contribute to MAC’s second chapbook of writings and images, and to read in upcoming Spoken Word events on March 23 and June 1.
In addition to welcoming submissions for the chapbook, participants are invited to join the curatorial team.
The first chapbook, “Resilience – a community reframes disaster through art,” features the work of 22 poets and 17 visual artists who attended Resilience workshops throughout 2018. The book is available for purchase at MAC or on the MAC Web site.
Middletown Art Center is located at 21456 State Highway 175 at the junction of Highway 29.
Visit www.middletownartcenter.org or “Like” Middletown Art Center on Facebook to stay up-to-date with what’s happening at MAC.
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- Written by: Middletown Art Center
Caitlin Doyle, who lives in Ohio, writes haunting, memorable poetry about the familiar and the strange.
Her poetry is a fine example of what I call strategic artistry, as if her words have been carefully held back until they burst into light at just the right moment.
This sonnet, in which a young girl awakens to a world of new discoveries, originally appeared in The New Criterion.
Cradle Thief
"A cradle thief," my mother called the man
we'd see in shops, cafes, parks, even church,
with "that poor girl" beside him. Hand in hand,
they'd walk as if they didn't feel the scorch
of people's stares. The day we saw him press
his lips to hers, my mother blocked my eyes
as if his mouth (I longed for my first kiss)
against her mouth was smothering her cries.
All week, I ran a fever that wouldn't break.
"A cradle thief"—–a voice I only half
knew as my own surprised me in the dark,
my sick-bed wet with shivers. "A cradle thief,"
I said again, as if the words could will
my window broken, footprint on the sill.
American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2017 by Caitlin Doyle, "Cradle Thief," from The New Criterion, (Vol. 35, no. 10, 2017). Poem reprinted by permission of Caitlin Doyle and the publisher. Introduction copyright ©2019 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
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- Written by: Ted Kooser
‘THE KID WHO WOULD BE KING’: Rated PG
The legend of King Arthur comes alive in the modern world when the titular hero of “The Kid Who Would Be King,” a 12-year-old British lad, stumbles upon the Sword in the Stone at a demolition site.
One thing to know about this kid-friendly adventure is that, aside most notably from Patrick Stewart appearing as Merlin the Magician and Rebecca Ferguson as the sorceress Morgana, the central characters are mainly children.
For reasons that are seemingly unrelated to Brexit or not, the United Kingdom is in a state of division and chaos, as newspapers blare headlines of impending war and its unthinkable consequences.
The country’s savior is an unlikely school kid named Alex (Louis Ashbourne Serkis), who along with his nerdy best friend Bedders (Dean Chaumoo), is bullied by classmates Kaye (Rhianna Dorris) and Lance (Tom Taylor).
Fortune as well as a heavy burden fall upon Alex’s shoulders when, in the course of being chased, he happens upon the Excalibur sword and manages to extricate it from a concrete block at a construction site.
A confluence of events, and not just that he has devoured books on King Arthur, convinces Alex that he’s the Chosen One, in other words the once and future king, even if Britain’s Royal Family is already well-established.
The fun part is when the young Merlin (Angus Imrie) shows up disguised as an awkward, socially inept new student at Alex’s school, and fitfully reveals his magical powers in ways hilarious and weirdly offbeat.
When the young Merlin sneezes, he often turns into an owl or becomes his older self (the Patrick Stewart version), adding gravitas to Alex’s mission to save England from the army of undead knights that rise up out of the ground seeking to snatch the Excalibur sword.
The villain is, of course, the evil Morgana, who has been trapped for centuries in a tangled web of vines but now rears her ugly head at the prospect of snatching the Excalibur so that she might plunge England into darkness.
Alex and Bedders, our intrepid heroes, are spurred by young Merlin, recharging himself by devouring chicken nuggets, on a journey to Stonehenge as a gateway to the island of Tintagel, which is linked to King Arthur and ground zero for the clash with Morgana.
Just as King Arthur united his foes, Alex and Bedders form a tenuous truce with Lance (shades of Sir Lancelot) and Kay, as the quartet of classmates come under the tutelage of young Merlin for the eventual showdown with the dark side.
Alex and his own Knights of the Round Table make their last stand at Dungate Academy, enlisting the student body for a climactic showdown of good versus evil.
With an army of heroic kids, “The Kid Who Would Be King” plants its flag firmly in the camp of entertainment for adolescents. In that respect, the themes of courage and honor resonate for some energetic fun.
‘BLACK MONDAY’ ON SHOWTIME
Shades of “The Wolf of Wall Street” and Gordon Gekko, and just about any film about Wall Street or with its name in a film title, are all you really need to know about Showtime’s dark comedy series “Black Monday.”
The title refers to the stock market crash of October 19, 1987, and how things evolved over the period of one year preceding this financial calamity, as told from a comically cynical point of view.
The first scene is jarring in that it starts with the day of the crash, when a red Lamborghini limousine parked in front of the Stock Exchange becomes the landing pad for an apparent suicidal window jumper.
Flash back to one year earlier and Don Cheadle’s Maurice “Mo” Monroe, acting pretty much like his immoral management consultant in “The House of Lies,” runs an outsider brokerage firm called the Jammer Group.
Fueled by massive amounts of cocaine and an inflated ego, Monroe manages his motley crew of traders as if they were all residing in the fraternity of “Animal House,” where the high spirits of John Belushi and Tim Matheson and the rest run amok.
In other words, and to an even greater extreme, the Jammer Group’s traders are foul-mouthed boors who would run over their own mothers to scam clients and execute big payoff trades.
Standing out in this group of sexist sharks is the lone female Dawn (Regina Hall), almost equally crude as the guys, but also Monroe’s ex-girlfriend who just might be the brains, if not the voice of reason, of the whole operation.
Then along comes Andrew Rannells’s Blair Pfaff, a naïve newcomer who has put together a trading algorithm that could be revolutionary. He’s quickly marked for victimhood by the manipulative two-faced Monroe.
“Black Monday” is full of swagger and brutal satire as it mercilessly mocks the brokerage world. It’s also crude, indulgent, outrageous, offbeat and darkly funny, almost as if the script was penned by David Mamet.
Tim Riley writes film and television reviews for Lake County News.
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- Written by: Tim Riley